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Perhaps the clearest lesson I drew from my visit to the show, Dependent Objects, at Harvard’s Busch-Reisinger Museum is that one of the more humorous, if often unintentional, side effects of conceptual art has been to make the museum-going experience unprecedentedly uncomfortable. As I walked...

Author: By Julian M. Rose, THE ANGEL OF POST-MODERNISM | Title: ‘Dependent Objects’ at the Busch-Resinger | 10/15/2004 | See Source »

So what kind of art show was this, anyway? It was a show of the early work (most of the pieces in the show date from the early to mid-1960s) of five German artists: Franz Erhard Walther, Hans Haacke, Charlotte Posenenske, Gerhard Richter and Thomas Schütte. They...

Author: By Julian M. Rose, THE ANGEL OF POST-MODERNISM | Title: ‘Dependent Objects’ at the Busch-Resinger | 10/15/2004 | See Source »

The Busch-Reisinger Museum presents an exhibition of sculpture by artists who were ambivalent toward the media. “Dependable Objects” presents the works of German artists beginning in the 1960’s including works by Franz Erhard Walther, Hans Haacke, Charlotte Posenenske and Gerhard Richter...

Author: NO WRITER ATTRIBUTED | Title: HAPPENING | 10/1/2004 | See Source »

The country isn't returning to the Dark Ages?GDP this year is expected to jump a healthy 5%, the fastest pace since the economic crisis, according to Goldman Sachs?but it is moving in the wrong direction in many sectors. Even as global commodity prices spike, Indonesia's valuable...

Author: /time Magazine | Title: Indonesia's New Deal | 9/27/2004 | See Source »

Uwe Leichsenring seems like a typical bürger from small-town Germany. He lives with his wife and child in the tiny village of Königstein in the former East German state of Saxony, where he owns three driving schools and is a member of the town council...

Author: /time Magazine | Title: Driven to Extremes | 9/26/2004 | See Source »

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