Word: hansel
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Dates: during 1920-1929
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...Revival. Altogether charming was the performance of Humperdinck's Hansel und Gretel. Queen Mario was Gretel, a wee child with pigtails stiff as taffy sticks. Editha Fleisher was Hansel, just ragged and happy. There was a real witch with matted gray hair and a nose like a spigot who rode on her broomstick way into the sky and ate little children. There was a gingerbread house and a red-hot oven where plop ended the witch pushed by wee Gretel just too stupid to get in herself. "Hocus pocus. . . ." Children loved it. So did grown-ups who quite forgot...
...buts. In Die Meistersinger, Crete Stiickgold from the Berlin Staatsoper was Eva, comely, pleasing. Richard Mayr (Vienna Staatsoper) was a dignified, experienced Pogner whose voice had seen better days. Dorothee Manski (Berlin Staatsoper) was the witch in Hansel und Gretel, a blathering old woman with small time to sing. Philine Falco in La Forza del Destino, Mildred Parisette in Violanta and Hansel, Margaret Bergen in the Sunday night concert, had small opportunities...
...operas: Turandot, to open the season Oct. 31, with Maria Jeritza & Giacomo Lauri-Volpi; Korngold's Violanta, the first novelty, also with Jeritza, Nov. 5; on the same afternoon, Hansel und Gretel; Gioconda, to open the Philadelphia season Nov. 1, with Rosa Ponselle & Beniamino Gigli...
Announced the critics: "The most successful translation since Hansel and Gretel . . . one stirring tune...
...that it was "illustrated by Arthur Rackham." In fact, that one phrase makes a great many people want certain books which they might otherwise never think to buy. This applies particularly to grown people, who have read Peter Pan and The Water Babies and Aesop's Fables and Hansel and Gretel years ago. A great many parents now buy Rackhamized editions of these books and pretend that they are doing it to please their children. It comes to that in the end, but actually the parents are getting fun themselves. This season there are at least ten books* which...