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...Soctalists in Austria are already powerless. The Nazis, who desire the annexation of Austria to Germany, are still organized and are becoming more and more aggressive. If the head of the Heimwehr, the Hapsburg Prince Starhemberg, who is against annexation, finds himself unable to control his men, then the Nazi element will gain the upper hand within the Heimwehr. And in this case, the movement towards immediate annexation of Austria by Germany will become unresisted, and official foreign intervention unavoidable...

Author: NO WRITER ATTRIBUTED | Title: Starhemberg's Attempt to Control Heimwehr Is Decisive Factor in Annexation, Says Salvemini | 2/19/1934 | See Source »

...mists of reserve and whimsy felt rather than seen in "Rasputin and the Empress," and in "Grand Hotel." The slow tempo of these parts probably derives from that streak in Barrymore which made an unduly ruminative Hamlet in the old days, while these dashing airs, this hereditarial madness of Hapsburgs and Barrymores recalls Prince Hal of a past decade. In the role of a self-infoxteated. Vienna-crazed Hapsburg Grand Duke, the last of those emotional extroverts known as Prince Charmings, John Barrymore makes Mr. Lunt's "Prince Rudolph" look like a fourth-year graduate student. It may be over...

Author: By J. C. R., | Title: The Crimson Playgoer | 5/24/1933 | See Source »

...version of "Grand Hotel." Every gesture is expressive, every look, significant. He is as much of a born actor, and arch rogue as John Barrymore. He carries off the part of the dilletante bachelor as well as Alfred Lunt were the uniform of the exiled Prince Rudolph Maximillian Von Hapsburg. But "Springtime for Henry" lacks the gay flavor and dramatic excitement that made "Reunion in Vienna" one of the most popular of the Guild offerings in the last two years...

Author: By H. B., | Title: THE CRIMSON PLAYGOER | 10/26/1932 | See Source »

...Lunt family supplies the main entertainment of a delightful evening. Alfred is the dashing Prince Rudolph Von Hapsburg, but he really plays no part so much as that of Alfred Lunt Himself. Lynn Fontanne, relieved from her gray hair and wrinkles as Elizabeth the Queen emerged radiant and lovely in the part of Frau Elena Krug. It is not too much to say that to gaze at Lynn Fontanne, to follow her movements carefully is an experience only too rare in a world of harsh vulgarities. She does wonderfully in her part; her poise, her dress, her voice...

Author: NO WRITER ATTRIBUTED | Title: THE CRIMSON PLAYGOER | 9/26/1932 | See Source »

...revolution bravely and become the wife of a psychoanalyst, eminent in "Vienna's only remaining industry." This is not a marriage of love or understanding, just a practical marriage, and has been made miserable with specters and names from Elena's glamorous history. Then the relicts of the Hapsburg Court return, some from London millinery shops, others from managing positions in Swiss boarding houses, and as piece de resistance comes Prince Rudolph from his taxi business to revive memories in Vienna and to toy with champagne on a pauper's holiday. Elena is attacked by severe nostalgia and goes...

Author: NO WRITER ATTRIBUTED | Title: THE CRIMSON PLAYGOER | 9/26/1932 | See Source »

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