Word: haras
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Dates: during 1960-1969
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Process In Flight. Almost daily, the planes hurdle Japan's clogged highways to cover fires, floods, shipping accidents and other news events and still return in time to meet competitive deadlines. "They are as indispensable as the walkie-talkie and the reporter's pencil," claims Shiro Hara, managing editor of Yomiuri. Many of the aircraft are equipped to process film in flight, then transmit it to newspaper offices via mobile radiophoto equipment. When a disaster breaks, speed is so important that most of the papers' airport mechanics are also trained to fill in as photographers. The dailies...
...fifty years we have contributed relatively little in the way of new ideas of any sort. From radar to rocketry, we have had to rely on other societies" etc., etc. Sarcasm betrays him into rhetorical flourishes: Lyndon Johnson is "the Great Khan at Washington"; objection to John O'Hara's handling of sex is archly laid to the "Good Gray Geese of the press...
...World of Profit, Auchincloss (7) 10. And Other Stories, O'Hara...
When Jill O'Hara, a girl with a voice that is a strange cross between country-western twanginess and Dionne Warwick inflection, sings about "Knowing When to Leave" a lover, music and rhythm change as the character's thoughts move form a detached statement of principle ("Knowing when to leave won't ever let you reach the point of no return/ Fly") to an upbeat assertion of hope ("Foolish as it seems/ I still have my dreams") to an angry stream of abuse ("Keep your eyes on the door/ Never let it get out of sight/ Just be prepared when...
...most of the time, Promises, Promises is about love (and its ups and downs), and the songs run deep. Just before a suicide attempt, Miss O'Hara sings an anguished ballad (that has also been recorded by Dionne Warwick) in which she tells of the difficult man she loves. As the lyrics and music move from the barest hope ("However you are/ Deep down whatever you are/ Whoever you are/ I love you.") to a kind of understated terror ("From moment to moment/ You're two different people/ Someone I know as the man I love...