Word: haras
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Dates: during 1960-1969
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...years too late during the poetic ferment of the twenties"; the poets who found themselves at Harvard after the close of World War II, nearly thirty years later, had no patience with these traditions. Led by William Carlos Williams, poets like Ashbery, Kenneth Koch, and later Frank O'Hara argued over the conventions of American prosody, while Donald Hall insisted that Lowell and Wilbur had become "the poles of energy and elegance on which the poetic world of the fifties turned...
...side of the screen, Wayne has often appeared to be loping through his roles. But on the other side, it seems, there has always been an exacting competitive performer. In McLintock, recalls Actress Maureen O'Hara, "he didn't like the way I was doing a scene, and he said angrily, 'C'mon, Maureen, get going. This is your scene.' I said I was trying to go fifty-fifty. 'Fifty-fifty, hell,' he said. 'It's your scene. Take it.' Then he added under his breath, 'If you can.' " The master of the western, Director John Ford, calls Wayne...
Some complaints were more sentimental. For centuries, the Japanese have celebrated the annual Night of the Full Moon by composing haiku. In Tokyo, one poetaster objected: "Now that the poesy of it is all gone, what can one do -commit hara-kiri?" In Vietnamese legend, the moon is represented by Hang-Nga, a beautiful maiden; "Now she is no longer a virgin," a Saigon intellectual lamented. Tel Aviv's Chief Rabbi Shlomo Goren offered a 20th century amendment to a 12th century Hebrew prayer on the eve of the new moon. For 800 years, it has read...
...told Ford it really happened. Wagonmaster (1950) is rarely seen and one of Ford's most personal Westerns. One of the purest joys in all film. The Quiet Man (1952) is a ravishing color film shot in Ireland with the staples of the Ford "stock company": Wayne, Maureen O'Hara, Victory McLaglen, Ward Bond, Barry Fitzgerald. The Sun Shines Bright, Ford's deserved favorite of his films, is complex and unfashionable, and one of Ford's four unqualified masterpieces (How Green Was My Valley, The Searchers, Liberty Valance). The Searchers (1956) is the great epic of American film...
Some U.S. newspapers own aircraft, but none has so many or uses them so regularly in news gathering as the largest Japanese dailies. Yomiuri's Hara has a point when he needles the major use of company planes by U.S. publishers. "We never fly executives-only reporters and photographers," he says...