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...Agnew speech itself, while Senior Editor Peter Martin and Associate Editor Richard Burgheim, usually in charge of the Television section, viewed the media in the light of the message. They were assisted by Contributing Editors William Doerner and Robert Hummerstone and Researchers Patricia Gordon. Gillian McManus and Georgia Harbison...

Author: /time Magazine | Title: A Letter From The Publisher: Nov. 21, 1969 | 11/21/1969 | See Source »

...York, meanwhile, Associate Editor Charles Parmiter, with the aid of Researchers Mary Themo and Georgia Harbison and Reporter Jill Krementz, studied the assessments of the Guide that were cabled from European bureaus. Scott drew the assignment of touring with Fielding himself. At first, the travel expert was reluctant to waive his longstanding rule that no one is allowed to accompany him on his rounds. Finally, he agreed to let Scott watch him in action. "We toured hotels and restaurants in Madrid and London," says Scott, "and he quickly laid to rest any illusion that he coddles himself. He hoofs...

Author: /time Magazine | Title: A Letter From The Publisher: Jun. 6, 1969 | 6/6/1969 | See Source »

...Senior Editor Peter Bird Martin, who was born under the sign of Cancer, discovered that he would be working on the project at a time when the aspects of the planets would be largely unfavorable. Researcher Mary Themo, also a Cancer, got the same word. So did Researcher Georgia Harbison, a Gemini...

Author: /time Magazine | Title: A Letter From The Publisher: Mar. 21, 1969 | 3/21/1969 | See Source »

...335/1 (delightful in its naivete and ludicrous use of col legno), the Sonata for Violin and Piano in B flat, K. 454, and the magnificent Piano Concerto No. 25 in C, K. 503. Levin served as pianist and was joined at appropriate moments by violinist Rose Mary Harbison and an excellent pick-up orchestra conducted by John Harbison. By and large the performances were clean, tasteful and controlled, with occasional brilliance and finesse that engendered real moments of excitement...

Author: By Robert G. Kopelson, | Title: Mozart-Levin | 5/21/1968 | See Source »

...case of any concert, there are always nits to pick. Mrs. Harbison and even Levin himself exhibited a tendency to rush and blur the details in more rapid passages. In addition, they both had the annoying habit of building to a climax but somehow giving up or losing concentration before the crucial moment. The result was a large number of fractured phrases and a general sense of frustration. Mrs. Harbison's intonation, like that of the quintet, was frequently poor...

Author: By Robert G. Kopelson, | Title: Mozart-Levin | 5/21/1968 | See Source »

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