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...orchestra, led by John Harbison in the Bach and in Mozart's 18th Symphony in F major, has made an immense improvement over its first concert earlier this year. The tone, although still tentative-sounding, is more unified and much warmer, and the intonation is better. There is room for more variety in dynamics and a little more grace and awareness of details which would have especially added charm to the Mozart. Harbison's readings are entirely straightforward, concentrating on a good sound rather than interpretive depth; but the notes were, for the most part, well played...

Author: By Paul A. Buttenwieser, | Title: Christmas Concert | 12/15/1958 | See Source »

...conductor is John Harbison '60, a former violinist and trombonist in the orchestra. Harbison is an excellent musician, and when he and the orchestra gain more rapport with each other, as they did only occasionally last night, many of the minor imperfections of the first concert will disappear. He needs much more assurance, and is at present far too restrained, especially in making sudden contrasts and shaping phrases...

Author: By Paul A. Buttenwieser, | Title: The Bach Society Orchestra | 10/27/1958 | See Source »

...John Harbison, the other music major with a "feel" for the jazz idiom, works in a wider sphere than Kuhn, playing both modern and dixie piano, and this year conducting the Bach Society Orchestra. John's major complaint is that "most fellows don't get to play enough, and only Steve has had time to find a style of his own. Two years ago there were Sunday sessions in the Union, but no more...

Author: NO WRITER ATTRIBUTED | Title: Cambridge Cools Cats Who Thrive On Dixieland, Modern Jazz, Jive; Coffee-Houses May Bring Revival | 9/18/1958 | See Source »

...Neither Harbison nor Kuhn feel there is deep interest at Harvard in modern jazz, and they point to the adverse criticism voiced over the Buck Clayton session at last year's Jubilee. (This year's replacement--Lionel Hampton and the Australian Jazz Quartet--reveals a shift to the commercial side of the jazz world.) John rates the students a shy and unsophisticated audience, who know too little of the modern style to really like it. "Progressive jazz demands concentration. It's intense, and you can't have glasses clinking all the time. There's a meanness to the music that...

Author: NO WRITER ATTRIBUTED | Title: Cambridge Cools Cats Who Thrive On Dixieland, Modern Jazz, Jive; Coffee-Houses May Bring Revival | 9/18/1958 | See Source »

Kenneth McIntosh '58, piano, and Katherine Gratwick, violin, will give a concert of the music of Bach, Beethoven, Saint Saens, and John H. Harbison '60 tonight at 8 p.m. in the Kirkland House Junior Common Room...

Author: NO WRITER ATTRIBUTED | Title: CHAMBER CONCERT | 5/14/1958 | See Source »

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