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Back in the U.S., TIME Correspondents James Wilde and Janice Simpson and Reporter-Researcher Georgia Harbison prowled the studios and salons of Manhattans fashion world. For his look at the way models live, Wilde went roller-discoing with Supermodel Apollonia, brunched with British Model Rachel Ward at the Plaza Hotel's Palm Court and interviewed Louise Roberts, who every week combs through as many as 200 applicants to the Eileen Ford agency to come up with one or two who might have a modeling future. "Normally I work the streets," Wilde says. "This job was like being let loose...

Author: /time Magazine | Title: A Letter From The Publisher: Feb. 9, 1981 | 2/9/1981 | See Source »

...Harbison interviewed agency executives and bookers to learn how the business has changed. Says she: "There is a lot more money involved now, and that means a lot more pressure. Eileen Ford summed up the difference in her models in three words: 'They can count,' "Says Simpson: "I always thought that all a model had to do to look beautiful was put on pretty clothes and stand in front of a camera. But after this behind-the-lens view of the business, I know that something far more important is involved-very hard work...

Author: /time Magazine | Title: A Letter From The Publisher: Feb. 9, 1981 | 2/9/1981 | See Source »

...Lesser can be more. Few of the small Leewards have room for as many as 200 tourists. Few are ever visited by cruise ships. They are politically and socially tranquil, and virtually crime-free. As Belgian-born Bishop Antoine Demets said of Montserrat to TIME'S Georgia Harbison, "Here a family spirit reigns. All the mountains and valleys are of shoulder height...

Author: /time Magazine | Title: Living: The Still Pristine Caribbean | 2/18/1980 | See Source »

Busoni: The Six Sonatinas for Piano (Paul Jacobs, Nonesuch). Frederick Rzewski: Song and Dance. John Harbison: The Flower-Fed Buffaloes (Speculum Musicae, John Harbison conductor, Nonesuch). These two discs exemplify the fare that tiny, enterprising Nonesuch has been putting out for 15 years, a mixture of the unhackneyed traditional and the contemporary. The Rzewski-Harbison set - fresh, interesting chamber works by two Americans in their 40s - is the latest in a long line of contemporary composers on the label, including Elliott Carter, Morton Subotnik and George Crumb. Last month None such's guiding spirit, Teresa Sterne, was dismissed...

Author: /time Magazine | Title: Music: Sounds for a Winter Night | 1/14/1980 | See Source »

...tension of an operatic first night with the ambience of a celebrity party. A top auctioneer has the talents of a croupier, a fight promoter and a matinee idol. As SPB President John Marion, who has wielded the gavel for 18 years, said to TIME'S Georgia Harbison: "A good auctioneer is very much like a good lecturer. Everyone should understand what's going on and be sitting forward in his seat." He added: "Sometimes the atmosphere in the salesroom is absolutely crackling. The eyes of the whole world are on you at an impressionist sale. As much...

Author: /time Magazine | Title: Going... Going... Gone! | 12/31/1979 | See Source »

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