Word: harburg
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...first uncut feature film ever seen on TV, Oz brought the fairy-tale wanderings of a wide-eyed, 16-year-old Judy Garland into U.S. homes for the first time. The E. Y. Harburg-Harold Arlen score (Over the Rainbow, We're Off to See the Wizard) sounded as fresh and enchanting as ever. To kick off the movie, Buffoon Bert Lahr, who played the craven lion in the film, reminisced to Judy's ten-year-old daughter, Liza Minnelli, about the good old days at MGM. If the movie suffered in its new setting, it was mainly...
...Musical in Manhattan Flahooley (music by Sammy Fain; book & lyrics by E. Y. Harburg and Fred Saidy; produced by Cheryl Crawford in association with Harburg & Saidy) is a lavish attempt by the creators of Finian's Rainbow to repeat their success. They fail, in part perhaps from too laboriously repeating their formula. Once again they have mingled the tinkling sheep bells of fantasy with the braying loudspeakers of satire, this time robbing the Arabian Nights while ribbing American Big Business. What results is all the hurly-burly of a carnival with very little of the gaiety...
Pinion's Rainbow (book by E. Y. Harburg & Fred Saidy; music & lyrics by Burton Lane and Mr. Harburg; produced by Lee Sabinson & William R. Katzell) is an apt title for a show where frequently rain is falling and the sun is shining at the same time. It is decidedly brighter than most musicals, and it might have been one of the brightest of them all; but its virtues can never quite shake themselves free of its faults...
...Bombers and fighters together had destroyed 15,210 German planes. And all this was entirely apart from the operations of the Ninth and Twelfth (Tactical) U.S. Air Forces, or of the R.A.F., which flexed its muscles this week with a smashing 3,088 ton assault on oil refineries near Harburg...
Bloomer Girl (book by Sig Herzig and Fred Saidy from a play by Lilith & Dan James; music & lyrics by Harold Arlen and E. Y. Harburg; produced by John C. Wilson in association with Nat Goldstone) was a roaring hit before it ever opened. Even after the superlatives have settled and the hats have dropped from the air, it remains a superior musical. A shiny period piece, it has approached its job with talent and invested a fortune with taste. Verbal comedy aside, it is an unusually well-rounded show-good music, likable lyrics, attractive dancing, engaging performers, stylish sets, gorgeous...