Word: hardes
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...stories is somber, as Rash’s narrators recount situations ranging from an eleven year old with meth-addicted parents in “The Ascent,” to the killing of a dog accused of stealing eggs during the Great Depression in “Hard Times...
...Surrendered” is, finally, a romance obscured in sorrow—a ballad of Hector and June’s love affairs with life. Both are prone to fighting—Hector with his fists and June with her cold contempt—but they fight hard because of the imminent isolation threatening to consume them whole. They recognize that war has rendered them forever incomplete, lacking any conviction in human solidarity. Hector, musing about the war, sees a couple embracing: “They were both slight of frame and not tall, and if he hadn?...
...roles have been less and less complex, intriguing, and worth watching. “Cop Out” epitomizes this inconvenient truth. Bruce Willis’s “Die Hard” hero John McClane is still a beloved character, but ever since “Die Hard,” Willis has been shooting for and failing to reach that first high. In “Cop Out,” his utter irrelevamcy as an actor is made explictly clear and he should accept that before he unleashes...
...It’s hard to be an artist,” Louie said, telling the audience that her father was a painter so she had plenty of exposure to the artistic lifestyle. Unhappy with Economics, however, she switched over to the Humanities track and became an East Asian Languages and Civilizations concentrator with a focus on Chinese film and literature. She enjoyed her new concentration much more, and as a consequence, also performed very well academically. “It taught me to think critically, articulate, and analyze a text,” Louie said...
...between courses, Louie spoke to the audience members about being a producer and her experiences in film. “Film is so complicated… it’s hard to know what to do,” said Louie about getting into film. She had an interest in film and the arts from childhood and even directed a play involving Georgia S. Lee ’98 (later director of the film “Red Doors”) during her time at Harvard, but took no courses focusing specifically on film. While in New York City...