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...James Harkless is gifted with an unusual insight into these problems. His program of Schubert and Schumann songs placed great emphasis on projecting the mood and textual imagery of their poems. With sensitive phrasing and exceptionally clear German he caught the spirit of Ungeduld and Ich Grolle Nicht. In fact, it was this "interpretative" excellence that made the purely musical results disappointing by comparison...

Author: By Robert M. Simson, | Title: James Harkless, baritone | 11/2/1954 | See Source »

...Harkless' voice has natural limitations that have not yet been corrected or turned to more effective use. The very thick and rich sound he produces cannot trace the delicate line of Schumann's Mondnacht nor suggest the naivete of Schubert's love-sick miller. In the lower limits of his range, notes lose their individuality and produce an unpleasant drone. Above his beautiful middle voice, Harkless' pitch control gets out of hand, with climatic high notes sometimes painfully flat. In short, he knows what effects to strive for, but he can not always command them...

Author: By Robert M. Simson, | Title: James Harkless, baritone | 11/2/1954 | See Source »

Shortcomings of this nature become so important, of course, only in music like lieder, where they play a crucial part in the composer's intent. In Negro spirituals, which formed the second part of the program, "interpretive" values become uppermost. Once freed from demands beyond his technique, Harkless relaxed and gave really moving renditions. Three of the songs were somewhat marred by self-conscious accompaniments, but the two selections sung without piano provided magnificent examples of our native music performed with understanding and deep affection...

Author: By Robert M. Simson, | Title: James Harkless, baritone | 11/2/1954 | See Source »

...James Harkless sang his group of English and Italian art songs with simplicity and fluency. His mellow, relaxed style, however, seemed fitting only in "The Willow Song" and in Salvator Rosa's "Star Vincino." The rest quickly became cloying...

Author: By Lawrence R. Casler, | Title: Adams House Music Society | 12/5/1953 | See Source »

Hugh Amory read his Poem, and Dustin M. Burke the Class Ode, after which Chorister James L. Harkless led in its singing to the tune of "Fair Harvard." Sandwiched between these literary notes was a plea for money by President of the Alumni Association William M. Rand '09, and a welcome to the ranks of the Ten Thousand Men by Henry R. Guild, head of the Harvard Club of Boston, and representing the Associated Harvard Clubs...

Author: NO WRITER ATTRIBUTED | Title: Full Sever Quad Swelters, Listen to Ward, Manning | 6/18/1952 | See Source »

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