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WHERE: STUDIO MUSEUM IN HARLEM; WHITNEY MUSEUM OF AMERICAN ART, NEW YORK CITY...

Author: /time Magazine | Title: Return From Alienation | 8/31/1992 | See Source »

...shows this month in New York City -- a small survey at the Studio Museum in Harlem and a larger one organized by the National Museum of American Art in Washington and now at the Whitney Museum of American Art -- are dedicated to the almost forgotten artist William H. Johnson (1901-70). As a fine catalog by Richard Powell makes clear, Johnson's life was one of the saddest in the annals of American art. A painter of genuine talent, he suffered most of his life from the consequences of being born black in a deeply racist America -- and, it seems...

Author: /time Magazine | Title: Return From Alienation | 8/31/1992 | See Source »

Negrohobia echoes Alice in Wonderland in places (one section is entitled "Down the Rabbitt's Rectum") and Dante's Inferno in others (Bubbles falls through the concentric underwater circles of the Harlem River which is populated with the floating corpses of pimps, numbers runners and crackheads). At times, the novel approaches the off-Kilter horror of those classic with its manic, madcap parade of freakish characters...

Author: By Davids. Kurnick, | Title: Negrophobia is a Racy Tale Of Flesh, Freaks and Fear | 8/14/1992 | See Source »

Clinton dispensed with losers' night, a Democratic tradition whereby those vanquished in the primaries get to take one last prime-time swipe at the winner. Jesse Jackson's ranting took place off-camera at a Don't Mess with Jesse rally at Harlem's Apollo Theater. By the time he took to the convention stage on Tuesday, half-glasses perched professorially on his nose, the anger seemed to have gone out of him. He still had the lyrics, but the music was missing. The Democrats' other problem child, former California Governor Jerry Brown, got only 20 minutes...

Author: /time Magazine | Title: Bill Clinton's Big Bash | 7/27/1992 | See Source »

...things to remember. One: Murphy may have wrangled with his employers at Paramount Pictures, feeling they undervalued him and failed to scour the town for the most suitable projects, but people never stopped going to his films. Harlem Nights earned a respectable $60 million at the North American box office; Another 48 HRS., $80 million. Two: he hasn't lost his potential. "There are only a few others -- Robin Williams, Billy Crystal, Steve Martin -- in Eddie's league as a brilliant comic talent," says Jeffrey Katzenberg, the Disney sachem who worked with the young Eddie at Paramount and is shepherding...

Author: /time Magazine | Title: Do You Still Love Eddie? | 7/6/1992 | See Source »

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