Word: harlemization
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...Also in the way, on this meandering trip to another climactic shootout, are a few detectives (John Leguizamo, Donnie Wahlberg and the always smart, luscious, screen-saving Carla Gugino) and some perps: Curtis Jackson, aka 50 Cent, as a Harlem drug lord; Trilby Glover as a lawyer with a coke habit; Oleg Taktarov as a slab-torsoed Russian mobster. They're around mostly to provide alibis and victims, and for spaces between the dialogues of the stars...
...liners, in keeping with the subdued tone of the campaign throughout the day as the nation remembered the tragedies of 9/11. Both camps agreed to suspend their campaign ads, and Obama and McCain visited the World Trade Center site together. (Obama had lunch with Bill Clinton in his Harlem office earlier in the day, while McCain visited Shanksville, Pa., the crash site of United Flight 93.) Given that most polls have shown the race to be tightening, the candidates will no doubt be eager to get back on the stump. Obama and McCain took the day to step back...
...Earlier in the day, Obama will tackle another reconciliation mission: a long-planned lunch with former President Bill Clinton in Harlem, the home of Clinton's post-presidential offices. Later, in the evening, McCain and Obama will intersect again for half-hour appearances at a TIME-sponsored forum on national service at Columbia University...
...Manny very favorably reviewed In the Street, a furtive documentary shot in Harlem by Agee, Janice Loeb and Helen Levitt: "Every Hollywood Hitchcock-type director should study this picture if he wants to see really stealthy, queer-looking, odd-acting, foreboding people." Six years later, considering the posthumous collection Agee on Film, Manny was less generous. The essay, "Nearer My Agee to Thee," alternates salutes and bitch-slaps so rapidly it seems simultaneously a military tribute and a Three Stooges routine. But that's par for a Farber piece. As Polito notes, he "sustains strings of divergent, perhaps irreconcilable adjectives...
...actor, Barbara Ann Teer quickly landed roles in 1960s Broadway shows like Kwamina and Where's Daddy? after she arrived in New York City. But she yearned for parts that would celebrate her heritage instead of further perpetuating stereotypes. So in 1968, Teer founded the National Black Theatre in Harlem, where she became a staunch advocate for African and African-American artists. Under Teer's stewardship, the institution evolved into a cornerstone of black culture...