Word: harlequin
(lookup in dictionary)
(lookup stats)
Dates: during 1970-1979
Sort By: most recent first
(reverse)
Staring from the poster, they looked like a nightmare of what might be, that terrifying day when the street gangs take over the city, any city. Some of them wore leather vests over bare chests. Others had on Arab headdresses. A few, their faces painted harlequin colors, wore baseball uniforms and carried bats. Massed as far as the eye could see, all looked menacing, and the threat was underscored by the text above the picture: "These are the Armies of the Night...
...music reflects the mimic style and adds another artistic dimension to it. "Love in the Pantry," a piece based on the harlequin character from the commedia dell' arte, tells the story of the harlequin's love for a maid. His courting is spurned at first, but he wins her over and she offers him food and drink. The other servants in the house discover him and throw him out bodily, with the offending maid close behind. The two pick themselves up, held themselves to the supplies of the pantry, and live happily ever after. By associating the characters with instruments...
...Harlequin Theater Company presents Total Eclipse, a biographical drama about poets Rimbaud and Verlaine, at the Agassiz Theater in the Radcliffe Yard, Thursday-Sunday at 8, through January 29. Also at Harvard, the Loeb features the National Theater of the Deaf in The Three Musketeers, January...
...actresses savaged by Simon. He has described Maureen Stapleton as inhabiting "a large, amorphous body out of which protrude flipperlike limbs and a face without a single redeeming feature." To Simon, Maggie Smith resembles "an upstart rooster aspiring to barnyard supremacy." Glenda Jackson "has the looks of an asexual harlequin." Most leading ladies suffer Simon silently, but after he characterized Sylvia Miles as a "party girl and gate crasher," she dumped a plate of food on him in a Manhattan restaurant...
...realize is that his mimicry deprives him of identity (just as the best parody is only barely distinguishable from its victim), and he, the mocking schoolboy, becomes the personification of his school. Similarly, denatured anarchy can exist in the King's Court, the eunuch in the harem, and the Harlequin can blend into the royal robes. Christ, the ultimate fool in his renunciation of worldly existence, can exist in the world but not of it; unfortunately, the institution of the Church and Christianity must live in this world and of it, and so it evolves from the mouse that roared...