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...bullet holes piercing the case on either side of them. The piece seems to ask the question "When?" as the eye canvasses the damage already done and the mind awaits the next bullet from a ghostly sniper. Arman's smashed guitar glued to a board-a requiem for Harlequin-is an effective device to make death real...

Author: /time Magazine | Title: Exhibitions: Destruction Can Be Beautiful Or Can It? | 5/24/1968 | See Source »

...immolation of history," or the tendency of modern man to rebel against his past. The rejection of history, Cox argued, not only throws out the good of tradition with the bad, but "can result in a corrosive contempt for the present." In his third lecture, entitled "Christ the Harlequin"-appropriately accompanied by psychedelic strobe lighting and calliope music-Cox suggested that the church can help bridge the credibility gap between past and present by reviving the "joy, festivity and holy mirth" in religion...

Author: /time Magazine | Title: Religion: Change of Mind & Heart | 3/15/1968 | See Source »

...sacrificing one to the other. Christ has come to previous generations of men in various guises, as teacher, judge, healer. Now, in a new or really an old but recaptured guise, Christ has begun to make an unexpected entrance onto the stage of modern secular life. Enter Christ the harlequin: the symbol of festivity and fantasy in an age which has almost lost both...

Author: /time Magazine | Title: Religion: Change of Mind & Heart | 3/15/1968 | See Source »

Under the general title, "The Secular Search for Religious Experience," Cox's lectures will include "The Immolation of History," "Ecstatics and Visionaries," and "Christ the Harlequin...

Author: NO WRITER ATTRIBUTED | Title: Cox Will Bring Light Show to Noble Lectures | 3/5/1968 | See Source »

...pride of the Basel Museum of Art in Switzerland has long been two fine Picassos, Two Brothers (1905) and Seated Harlequin (1923). They had been on loan from the local Staechelin Foundation for 20 years. The museum more or less assumed that they were there to stay-together with a dozen impressionists and postimpressionists that, in the eyes of some collectors, are even more valuable. Unfortunately, last spring a plane belonging to a charter airline controlled by Peter Staechelin crashed, claiming 126 lives. As a result of lawsuits, the airline went bankrupt. To raise funds, Peter Staechelin persuaded the foundation...

Author: /time Magazine | Title: Museums: Putting Pablo to the Vote | 12/29/1967 | See Source »

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