Word: harlequins
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Dates: during 1950-1959
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...jazz sound like a 19th century tone poem. With a sharp, clear vibes, a versatile piano, a bass and a set of traps, the quartet warmed up with a cool version of I'll Remember April, approached mastery in its last offering, a three-part number (The Singer, Harlequin, Contessa) delivered in a boogie-woogie, bass-led tempo and highlighted by an atonal, polyphonic piano...
...wolfhounds representing Wolfschmidt vodka, and a "fashion-jazz spectacular" titled "Newport Is a Lark" and featuring such jazz-inspired fashions as a Bop Period "nasturtium-colored velveteen jacket lined and piped with hot pink shantung." Musical novelty: the "first authentic American jazz ballet," a 22-minute retelling of the Harlequin-Columbine story to music by the Modern Jazz Quartet. The ballet's major character innovations were a bop-goggled Pantaloon and a Beat Generation Harlequin, wearing dark glasses and T-shirt instead of the traditional mask and clown's costume...
...face, which she can work like a rubber mask, turns from sunny to sad, from Harlequin to Columbine, with imperceptible art. Her lips can tremble like a child's on the verge of tears or curl with three-martini irony; her blue eyes can blink in puppy-dog innocence or wink in complicity with all the world. Perhaps her most typical expression is that of a pixy hooked on happy pills, but she can also look like a small kitten that has just swallowed a very large canary, a waif who has lost her bus ticket home, a country...
...John Lewis Piano (Atlantic). The leader of the Modern Jazz Quartet takes some standards (Little Girl Blue, It Never Entered My Mind) and some of his own compositions (Harlequin, Colombine) and strips them to the clean, cool bone. The spare treatments have a fragile charm all their own, but when heard in bulk they speak in an emotional monotone ultimately as wearying as a series of landscapes executed in whites and greys...
...Chicago and Philadelphia are all important garmentmaking centers. Around Dallas, some 70 firms are turning out $40 million worth of women's clothes a year and selling 35% of their output outside the Southwest. In California, where designers were once willing to try anything ("crazy pants" in wild harlequin designs and 6-ft.-round straw hats) just to get talked about, fashion has come of age. Now 1,200 women's-apparel manufacturers, including such leaders as Pat Premo, Rudi Gernreich and Georgia Kay, are grossing $350 million a year, and selling 60% to 75% of their wares...