Word: harlotization
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Dates: during 2000-2009
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...little Italian restaurant, the lacquered mahogany walls of a neighborhood pub. For a moment, I even harked back to the buff, headless mannequins in the window of the old Abercrombie, the plastic smiles of the salespeople who always looked like they just hopped off their surfboards. O cruel, harlot fate! Where was the humanity...
...Wannabe harlot Gardenia M. Orchardsby ’04 looked soooooo hot in that dress the other night—according to her online diary, which was religiously read by a small but devoted cadre of fans in 20 DeWolfe. Orchardsby’s devotees were crushed when she recently took the site down for unspecified reasons, but appreciated the shoutout on her away message when she complained that she “really wasn’t that interesting, despite the fact that everyone at this school seems to read my journal.” Don?...
...first act is where Abigail Williams is also introduced, the heroine, who unlike any of the women and men she accused of witchcraft, resembled a witch herself. Played by HLS student Kristy J. Greenberg, Abigail was a victim, a harlot and a vengeful witch all in one. Her performance was dazzling as her Abigail grew more brazen as her success as finger-pointer and actress of the court increased. Thrown to the ground by her supposed lover John Proctor, she only grew stronger and got her revenge, beginning with a devilish bell-like laugh...
...home while he had fun - what kind of fun? - on location. Their relationship, professionally symbiotic, was personally strained. After an operation, she told Russ: "I hope you're satisfied: I can never have a baby now." They divorced in 1970, and Meyer married Edy Williams, the starlet-visaged, harlot-configured ornament to his first studio film, "Beyond the Valley of the Dolls." Edy had a glamour-babe ego ("I wake up every morning and just start kissing myself") without the acting goods to back it up. By the time she become a fixture of fun at the Cannes Film Festival...
...book about Robert Hanssen, the FBI agent arrested last year after 20 years of turning over secrets to the Russians. Turncoats are a natural subject for Mailer, who has always behaved like a man in no hurry to dispose of his own paradoxes and whose last big novel, Harlot's Ghost, was a meditation on the CIA. But Into the Mirror is not exactly by Mailer. It's a novelization by Lawrence Schiller of a Mailer screenplay, based on interviews they both conducted. In July, Schiller begins shooting a TV mini-series for cbs from Mailer's script...