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Word: harlotization (lookup in dictionary) (lookup stats)
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...some good scenes and some good writing, but suffers even more from lack of sensibility and of art than from lack of drama. It has snatches of Shavian cleverness jostling scraps of Socratic wisdom and ponderous suggestions of The Private Life of Helen of Troy. A dramatically pointless harlot tags after a comic-strip King of Sparta; and in direct competition with perhaps the most nobly serene death scene in history, Anderson introduces one all his own. Dramatists rightly take liberties; but Drinkwater did not have Lincoln assassinated at Gettysburg, and Shaw refrained from having Joan devoured by lions...

Author: /time Magazine | Title: The Theater: New Plays in Manhattan, Nov. 12, 1951 | 11/12/1951 | See Source »

...Harlot's Progress...

Author: /time Magazine | Title: NATIONAL AFFAIRS,WAR IN ASIA,INTERNATIONAL & FOREIGN,PEOPLE,OTHER EVENTS: The President & Congress | 10/29/1951 | See Source »

London was staging a show of Hogarths last week that would have pleased the old 18th Century painter-engraver pink. Instead of featuring the satiric, story-telling picture series (Harlot's Progress, Rake's Progress, Marriage a la Mode, etc.) which made him famous in his lifetime, the show was crammed with the portraits of prominent folk and the sprawling historical canvases which Hogarth himself considered his finest and most important work...

Author: /time Magazine | Title: Art: Mere Cartoonist? | 7/23/1951 | See Source »

Will the social historian of the mid twentieth century be forced to conclude this ideal was driven to its last retest: the tragic haunts of desperate man? Will he be forced to write that here alone, as it guided by some higher institution, the harlot and the burlesque queen knew perhaps instinctively the ultimate nature of all beauty? The Ideal is permanent; the Fashionable only passing...

Author: NO WRITER ATTRIBUTED | Title: A Woman's Head | 2/25/1950 | See Source »

Armed with overage dialogue ("Do you believe in love at first sight?"), they dawdle on leave in rear-area bases. Agar meets and marries a vacuous blonde, played by Adele Mara as if she were struggling to learn how to talk. The script even dredges up a golden-hearted harlot (Julie Bishop) and throws her at Wayne's head. But the tough sergeant never lays a finger on her; when he learns that her tot is in the next room, he opens a box of Pablum. (Says she, impressed: "You know about babies...

Author: /time Magazine | Title: Cinema: New Picture, Jan. 16, 1950 | 1/16/1950 | See Source »

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