Search Details

Word: harmonica (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
Sort By: most recent first (reverse)


Usage:

Smither's chief assets are a rough, powerful voice, the ability to interpret and arrange music with understanding, and a talent in saying things simply, but not tritely. With the help of Eric Kaz, who plays fine back-up paino and harmonica on Smither's Don't It Drag On, he performs Dylan's "Down in the Flood" more excitingly than Dylan, a usually impossible feat...

Author: NO WRITER ATTRIBUTED | Title: Above the Crowd | 4/19/1972 | See Source »

...couldn't sleep so we called up the other teams and played the harmonica over the phone." Tatrallyay said. "We figured if we couldn't sleep, they shouldn't either...

Author: NO WRITER ATTRIBUTED | Title: Hungarian Fencer Tatrallyay Leads Team to High Standing | 3/8/1972 | See Source »

...both albums, they seem to have gained some measure of experience and have decided to cut the inane gimmicks this time around. The band--Howard Scott, guitar; B.B. Dickerson, bass; Lonnie Jordan, keyboards; Harold Brown, drums; Papa Dee Allen, conga and bongos; Charles Miller, horns; and Lee Oskar, harmonica--also seems to be tighter and more sure of themselves. Even United Artists has gotten itself together and instead of a lot of hype the promo man just handed me the album and said, "Here, you'll like this." He couldn't have been more correct. "All Day Music," the title...

Author: By Henry W. Mcgee iii, | Title: The Ravages of War | 2/12/1972 | See Source »

Several major collaborations of this sort were released last year. My favorite is Blue Memphis Suite (Warner Brothers), which features the incomparable singer-pianist Memphis Slim, backed by guitarist Peter Green (Mayall's Bluesbreakers, Fleetwood Mac), organist John Paul Jones (Led Zeppelin), Duster Bennett on harmonica, Chris Spedding, Pete Winfield, and others. The performance of everyone, especially producer Philippe Rault, is absolutely flawless; the juxtaposition of early Forties blues structure with ultramodern instrumentation and arrangement completely transcends the concept of mere revival. It is a tour de force of textural and harmonic complexity within the blues idiom. On side...

Author: By Charlie Allen, | Title: The Crimson Supplement | 1/19/1972 | See Source »

...music which the New Lost City Ramblers play is based almost entirely on field recordings made by commercial record companies and the Library of Congress during the period between 1925 and 1935. The Ramblers play almost the entire range of American folk instruments (mouth bow, harmonica, autoharp, fiddle, banjo, mandolin, guitar), in the styles used by such groups as Gid Tanner and his Skillet Lickers, Byrd Moore and his Hot Shots, and Dr. Humphrey Bate and the Possum Hunters, to name but a few of the groups from which the Ramblers derive their repertoire. They play old breakdowns, sing ballads...

Author: By Nancy Talbott, | Title: Mountain Music, Southern Gestalt, and the Ramblers | 1/6/1972 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | Next