Word: harmonica
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...Essentials features Luke Fischbeck '00 on guitar and vocals; Brendan Greaves '00 on bass, harmonica, banjo and vocals; Pablo Colapinto '00 on keyboards and a G3 laptop; Mike Colin on drums and hngoura (a Senegalese hand percussion instrument); and Gary Johnson doing live video mixing. Oh, and Patrick Swayze on vocals. Or so they claim...
...maturity and complexity of the music itself, with instruments ranging from Bennett's roommate Rex Graff's '00 harmonica to Warren's fellow a cappella singers in The Wellesley Blue Notes, are echoed in the lyrics, whether they be written by Bennett or Warren. "Becky moves me lyrically in a way that very few musicians do," says Bennett; "even her words on the page are poetry to me. She's brilliant...
...doubts you have about the quality of the production or the music itself will quickly be dispelled merely seconds into the first track, "War of the Worlds," as a harmonica wails against the festive background of shouting, murmuring voices. The songs on Two Stories incorporate everything from violins and cellos to trumpets, saxophones, and clarinets, and Bennett's seamless mixing produces a sound that's as close to perfect as you could get, especially using the Quad Sound Studios at the basement of Pforzheimer House. While it's true that at times the sound gets a tad echo...
...Kenny Wayne Shepherd Band would sound fresh, intelligent and original. Now, however, the band sounds like it steals from the talents of musicians such as Tom Petty. Live On, their new album, seems to be trying for a folk-rock-ballad like quality, with an overuse of the harmonica-lead guitar combination. In most instances, this tactic fails. "Was," "Oh Well" and "Losing Kind" have the sound of recycled Bon Jovi B-sides. The lead guitar spurs the song's movement with redundant and basic chords, while the bassline is a simple mirror of the lead. Shepherd's vocals appear...
Originality and good use of changes in tempo and key do emerge from the rubble. "Everytime it Rains" shows that the band is capable of funky, fresh guitar taps and witty, slapping basslines, while Shepherd's vocals are perfect for slow-paced, harmonica-wielding songs, as the Clapton-like "Losing Kind" reveals. But the traces of good musicianship, well-timed vocals and beat progression in Live On are dwarfed by the generic nature of the album...