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...HARM'S WAY. Director Otto Preminger steers John Wayne, Patricia Neal and a shipshape supporting cast through the Japanese attack on Pearl Harbor and a long series of happenings that follow...

Author: /time Magazine | Title: Television: Apr. 23, 1965 | 4/23/1965 | See Source »

...satire. Brynner's part is taken by the Rao Jagnabad, a glitteringly bejeweled, savagely personable hunter-princeling known as the Nine-Tiger Man. When the Sepoy Mutiny erupts in Delhi, the English dispatch their women to the Rao's palace, confident that they will be out of harm's way. The Rao briskly institutes a private mutiny of his own. He transforms the matrons into concubines, and the proper Victorians are soon fighting to embrace a fate worse than death. The romantic and violent 19th century is Author Lesley Blanch's special province. Painter, stage designer...

Author: /time Magazine | Title: Books: Current & Various: Apr. 23, 1965 | 4/23/1965 | See Source »

...Harm's Way. As a man adept at turning big brawny books into big brawny spectaculars, Producer-Director Otto Preminger (Exodus, The Cardinal) often makes ostentatious movies, but he almost never makes dull ones. This epic based on the novel by James Bassett is among Preminger's liveliest. Its clear, unequivocal message is that World War II was fought to make the world safe for wide-screen melodrama...

Author: /time Magazine | Title: Cinema: World War Twosome | 4/9/1965 | See Source »

...Harm's Way opens at a Pearl Harbor naval officers' dance on the evening of Dec. 6, 1941. While boozy Commander Kirk Douglas is at sea, his wife (Barbara Bouchet) is at play, behaving like a one-woman luau. She shakes her hips at an Air Force major, lures him away for a nude swim, wakes up on the beach next morning in bleary panic as enemy planes strafe the sand and the holocaust at Pearl Harbor begins...

Author: /time Magazine | Title: Cinema: World War Twosome | 4/9/1965 | See Source »

With half a dozen plots to juggle, Preminger keeps all of them interesting for at least two of the three hours spent In Harm's Way. At one moment he shrewdly plays the grimness of war against the undeniable glamour of it, next diverts the flow of sentimental clichés into a vein of snappish humor. "I'd enjoy meeting your son," says Meredith. "Naw-you wouldn't," grumbles Wayne, eying the lad across a messroom with eloquent distaste. Other scenes crackle comfortably: O'Neal cravenly having his backbone slapped into shape...

Author: /time Magazine | Title: Cinema: World War Twosome | 4/9/1965 | See Source »

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