Word: harold
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Dates: during 1970-1979
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Nelan attributes the Pentagon's new candor to Defense Secretary Harold Brown and his Assistant Secretary for Public Affairs, Thomas B. Ross. Brown announced when he took over that...
...this concern with the future military adequacy of the U.S. that caused two senior Cabinet officers to fly to Europe this week for very different kinds of talks. The assignment of Secretary of Defense Harold Brown: to meet in Brussels with America's closest European allies to discuss ways of strengthening NATO. The assignment of Secretary of State Cyrus Vance: to confer in Geneva with Soviet Foreign Minister Andrei Gromyko about a new Strategic Arms Limitation Treaty. The SALT talks could affect the status of U.S.-Soviet relations for years to come...
...through the inspiration of ale." Tolstoy said that "Trollope kills me, kills me with his excellence." A newer fan was an American Senator by the name of John Kennedy, who was seen reading The American Senator after he won the Democratic nomination in 1960. Former British Prime Minister Harold Macmillan always kept a Trollope novel on his night table. He marveled at the paradox that Trollope's novels are so sound politically, while those of Disraeli, the most adroit politician of the Victorian era, are so patently false. John Kenneth Galbraith confesses to being a Trollope junkie. "For many...
...remains a problem child, beset by just about every possible economic ill: falling productivity, high inflation (15.1% in 1976), a dismally low growth rate (1.5% predicted for 1977), and a currency that is only a shadow of its former self. Still, Labor Prime Minister James Callaghan and his predecessor Harold Wilson have managed to pull the country out of even graver conditions, and the increasing flow of North Sea oil may yet rescue Britain from its present economic poorhouse...
...Harold Rappoport, as Mona, has the most subtle, trickiest emotional transition of the play to make. And he carries it off convincingly. In the first act he comes across as nothing but a gutless nebbish, passively accepting any manner of verbal humiliation. But in the second act he shows that he has remained vulnerable by his own choice, because there's a degree of sensitivity that he refuses to lose to the prisoners' tough conformity. When he finally refuses to let Smitty become his "old man," declaring with the Shakespeare sonnet that he cares too much for Smitty to play...