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...American terms he's a little Clint Eastwood (actor-director), a dash of Gene Kelly (imaginative choreographer), a bit of Jim Carrey (rubbery ham) and a lot of the silent-movie clowns: Charlie Chaplin, Buster Keaton and Harold Lloyd. Says Chan fan Sylvester Stallone: "Jackie has elongated a genre that had grown pretty stale. He's infused films with humor and character-driven story while giving audiences these extraordinary stunts that are unparalleled anywhere in the world...

Author: /time Magazine | Title: JACKIE CAN! | 2/13/1995 | See Source »

DIED. DONALD PLEASENCE, 75, stage and screen star; in St.-Paul-de-Vence, France. A chameleon-like character actor who could be as meek as he could be malevolent, he was 40 when he won international notice as the repellent Davies in Harold Pinter's The Caretaker. But his widest audiences were reached in more popular fare like The Great Escape (1963), Halloween (1978) and the James Bond film You Only Live Twice (1967) in which he played cat-loving archvillain Blofeld...

Author: /time Magazine | Title: Milestones Feb. 13, 1995 | 2/13/1995 | See Source »

...character was Tom Ripley, an opportunistic and amoral gentleman-murderer. DIED. DONALD PLEASENCE, 75, chameleon-like British character actor who could be meek or malevolent in his stage and screen roles; in St.-Paul-de-Vence, France. Pleasence first gained an international reputation as the compellingly repellent Davies in Harold Pinter's The Caretaker. But his widest audiences were reached in more popular fare such as The Great Escape and the James Bond film You Only Live Twice...

Author: /time Magazine | Title: Milestones Feb. 13, 1995 | 2/13/1995 | See Source »

...Bernie Fields was among the foremost virologists of the century," said Harold Varmus, Nobel laureate and director of the National Institute of Health...

Author: NO WRITER ATTRIBUTED | Title: Community Briefs | 2/3/1995 | See Source »

...remember that Kline liked to talk about Gericault and Velazquez, about old silver and 18th century political cartoons, rather than the gaseous rodomontade of "tragic chaos" and "existential risk" that got loaded onto Abstract Expressionism by such artists as Barnett Newman and such critics as Harold Rosenberg. In short, he was very interested in style, a suspect idea then but one that his paintings are none the worse for raising. We can't see Kline the way the art world did 40 years ago, when critics wrote about his "desperate shriek" or his "total and instantaneous conversion" to black...

Author: /time Magazine | Title: ART: The Man Who Painted IMPACT | 1/23/1995 | See Source »

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