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DIRECTOR: HAROLD RAMIS...

Author: /time Magazine | Title: Bill Murray's Deja Voodoo | 2/15/1993 | See Source »

Only in Britain is this Danish-British painter known, and only there is his influence felt. As a modern Realist, he energized younger British Modernists in the 1900s like Spencer Frederick Gore and Harold Gilman. You can still see his mark today, on the work of figurative artists like Lucian Freud, Frank Auerbach and even Francis Bacon. Sickert's "brown world" of rented rooms in Camden Town, with their plump, sweaty nudes, sprawled on iron bedsteads, dense and claustrophobic, runs into the younger painters', its solidly constructed Realism forming a bridge across the light turbulence of derivative avant- gardism...

Author: /time Magazine | Title: Art: Music Halls, Murder and Tabloid Pix | 1/25/1993 | See Source »

Life in the apartment changes when Treat decides to kidnap a well-dressed drunk, but Harold (Ted Kazanoff), also an orphan, turns out to be a professional gangster with a taste for whisky who has fled trouble in Chicago...

Author: By Sarah C. Dry, CRIMSON STAFF WRITER | Title: Intimate, Intense Orphans | 1/15/1993 | See Source »

...consistent and spirited acting is one of the stronger elements of this production. As Harold, Kazanoff creates a steady image of paternal authority which serves to emphasize the radical changes occuring in the two brother's lives...

Author: By Sarah C. Dry, CRIMSON STAFF WRITER | Title: Intimate, Intense Orphans | 1/15/1993 | See Source »

...Phillip, Longmuir delivers many one-liners to great comic effect. Occasionally his childlike wonder seems contrived, and several of his more emotional lines fall flat: "Now I know where I am," he says dopily, clutching the map of Philadelphia that Harold has given...

Author: By Sarah C. Dry, CRIMSON STAFF WRITER | Title: Intimate, Intense Orphans | 1/15/1993 | See Source »

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