Word: harolds
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Dates: during 1960-1969
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...HOMECOMING. Awarded the Tony as the season's best play, Harold Pinter's drama melds the mystique of the surreal with relentless honesty in the examination of interpersonal relationships. Flawlessly performed by the Royal Shakespeare Company, it binds the audience in a puzzled spell while catching it up in heated controversy...
Portrait by Romney. Dining at 10 Downing Street, he delightedly pointed out to Prime Minister Harold Wilson that a painting of William Pitt the Younger bore the signature of George Romney, the 18th century English portraitist. In a private session with 200 British peers and Members of Parliament, left-wing Laborites did their best to bait him, but Humphrey fielded their barbed questions with aplomb, won a standing ovation at the end. "That was a magnificent performance," said Conservative Party Leader Ted Heath. In Bonn, his talks with West Germany's Chancellor Kurt Georg Kiesinger went off smoothly, even...
...Humphrey headed for Florence to view the damage of last fall's floods and the effects of the $650,000 of American art-rescue efforts he had helped to organize. There, as he pondered this week's round of skull sessions with Britain's Prime Minister Harold Wilson, West Germany's Kiesinger and France's De Gaulle, Humphrey could look back on a hectic week of 14-hour work days in which he had ful filled the first part of his mission: "Listen and learn." The next step, for the U.S., even more than...
...first time in our history," observes New Yorker Critic Harold Rosenberg in the current issue of Encounter, "the university has become the training ground for artists as well as art teachers. This is a new situation, and the more quickly its potentialities are recognized, the better." To a considerable extent, universities are beginning to deal with this situation: campuses from Yale to California have acquired staffs of practicing artists as well as art historians. Nowhere is the picture brighter than at Manhattan's Hunter College, a city-run school that has, with a minimum of fuss, assembled...
...film is at its best when it takes affectionate backward glances: at Harold Lloyd with some adroit window ledgerdemain, at the Modcap costumes of the period, at such ricky-ticky tunes of the '20s as Baby Face and Japanese Sandman. But when nostalgia dims, so does the picture's brightness. The new songs by James Van Heusen and Sammy Cahn are tepid at best, and Joe Layton's dance interludes are as spurious as bathtub gin, introduced solely to juice up a weak scenario...