Word: harp
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Dates: during 1950-1959
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When he sits down to help judge the world's first international harp competition in Jerusalem next week, U.S. Harpist Carlos Salzedo will face a difficult task. More than a few of the 50 competitors have studied under Salzedo and many are sure to play at least one of the master's compositions. It could be no other way. At 74, the sprightly Basque musician stands at the top of his art, a man who has spent a lifetime studying "the angels' instrument." teaching others to play and the world to enjoy its mellow music. Salzedo. says...
...Spanish summer court, and she sat her son down at the keyboard so early that he gave recitals at five, was taken out of school when he was six to concentrate on music. When the family moved to Paris, Carlos entered the conservatory and started studying the harp as a sideline. On his graduation, he was the only student in the school's history to win first prize in both piano and harp...
...young musician's reputation had reached the U.S.; Arturo Toscanini wanted a harpist for the Metropolitan Opera Company, and imported him, says Salzedo, "like a piece of cheese." Salzedo stayed at the Met for four years, then organized the U.S.'s first harp ensemble, later set off to tour Europe with a flutist and a cellist. After a stint in the French army in World War I (wounded in action). Salzedo returned to the U.S. and got to work making the harp something better than one of those "extra" instruments rarely heard outside full-dress philharmonic orchestras...
...singing, one after another, a wonderful series of catches and glees--and not just snatches, but entire pieces. These, and the rest of the extensive musical score for the show, were composed in a sure-handed, neo-Elizabethan style by Andre Singer (his instrumentation is comprised of flute, trumpet, harp, and a sizable battery of percussion...
Holiday for Harp (The Daphne Hellman Quartet; Harmony LP). Harpist Hellman produces some stunning sonorities with an instrument bred to less exotic climes. With the sound sometimes brittle and percussive, sometimes cobwebby soft, Harpist Hellman and her helpers (bass, guitar and drums) swing with sinuous brilliance through Summertime, Swingin' Shepherd Blues, Down the Road a Piece, giving each a fine crystalline gloss...