Word: harp
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Dates: during 2000-2009
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...long as Adams is the closest House to the Yard, many undergraduates will continue to take aim at interhouse policies. First-years in the Union Dorms will complain about the long, cold walk to Annenberg; disgruntled Quincy residents will harp on the perception that Adams has better food than its neighbors; and Dunsterites will point out that their dining hall hasn’t been renovated so far. Here’s a hint for all you professional whiners out there: get over it. Play the cards you’re dealt. Instead of attacking Adams for trying to preserve...
...England String Ensemble performs an impressive array of pieces. Celebrate the allure of dance, the colors of flute, harp, percussion, piano and strings and the young award-winning stars of the future on Harvard’s campus. Concerto Competition Winners for both flute and strings will perform St. Paul’s Suite, Op. 29. The world Premiere of “The Creation according to Orpheus” (2002) will be performed as well as Dvorak’s Waltz Op. 54, Piazzolla’s Four for Tango, and Skalkottas’ Five Greek Dances. A behind...
...south or east and relies on small regional parties for support. The Congress has been aggressively wooing many of these regional parties?with increasing signs of success. To forge a coalition of anti-BJP parties and to strike a chord with moderate voters, the Congress appears determined to harp on the theme that the BJP is still a party of religious extremists. Jaipal Reddy, a Congress spokesman, says his party will fight a campaign to "save the secular soul of the country." The BJP's Mahajan says his party would prefer not to bring religion into the election but warns...
...ensemble’s second Brahms piece was accompanied by Elisabeth M. Remy ’95 on harp. Before the piece began, conductor Jameson Marvin remarked to the audience that an organ served as the piece’s original accompaniment, but, because of the lack of an organ on Friday night, a harp was deemed the most worthy replacement. Indeed, Remy did not disappoint with her effortless melodies, which provided a rich but not overpowering pairing with the voices of the chorus...
...Society also acquitted themselves admirably in the night’s performance. Brahms once again proved himself worthy of the evening’s attention in the piece “Vier Gesänge, Opus 17.” The sixty chorus women were joined by Remy on harp and Deborah L. Harrison ’05 and Jonathan S. McPhie ’05 on French horn. The ethereal quality of the chorus’ vocals was supported by the solid tones of the small instrumental ensemble. Harrison and McPhie harmonized beautifully with each other as well...