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Word: harped (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...come in the shy, quiet variety, this prettily done-up edition of the old Celtic tale should be an ideal present. It is full of sadness and magic, and it rings (as Padraic Colum observes in his introduction ) with the voice of the singer and the sound of the harp...

Author: /time Magazine | Title: Books: PRESENTATION PIECES | 12/8/1961 | See Source »

Rookie coach Tom Harp has successfully introduced the "lonely end" T formation attack, which features senior end Ken Hoffman 20 yards out from the tackle on the strong side of an unbalanced line. Halfback George Telesh, the team's old reliable, lines up on the side opposite Hoffman...

Author: By James R. Ullyot, | Title: Football Team Begins Ivy Competition | 10/6/1961 | See Source »

Cornell, Harvard's opponent this Saturday, turned in an impressive performance in overcoming Colgate, 34 to 0. The "lonely end" offense of rookie coach Tom Harp paid off, with the highly-touted Big Red backfield proving its worth...

Author: NO WRITER ATTRIBUTED | Title: Four Ivy Teams Win First Games Saturday | 10/3/1961 | See Source »

...unsuccessful "Add-a-Part" series on 78-r.p.m. disks, decided that the added convenience of LPs might make the idea work. At first, Music Minus One recorded chiefly classical releases, began to rake in the profits when it added jazz. It omits every instrument in the orchestra but the harp, often makes a single piece of music available in several mutations: Schubert's "Trout" Quintet can be bought without piano, violin, viola, cello or bass. The company's bestseller (20,000 copies) is a household nightmare: Rhythm Section Backgrounds for budding vocalists and various instruments. The best classical...

Author: /time Magazine | Title: Music: The Missing Thrill | 8/25/1961 | See Source »

...Darius Milhaud, Eaton himself. Whatever it plays, the ensemble likes to force its instruments to their outer limits. When at tacking modernist music, Eaton, for instance, favors dissonant jumps from one end of the keyboard to the other, violently plucks at the piano's innards to get a harp effect. Smith has developed a technique of aiming his clarinet directly at the piano strings to create weird and ghostly harmonics. A virtuoso on his instrument. Smith also likes to push his clarinet above top C or to engage in a series of strangely manipulated double and triple stoppings...

Author: /time Magazine | Title: Music: Bilingual Jazz | 7/7/1961 | See Source »

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