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...play, the change is rather a shock. But she has some wonderful moments and is one of the few actors on the stage who never sacrifics the meaning of her lines to their poetry. Joel Crothers as Romeo has but two strings to his harp: he either smiles the ingenuous smile of a toothpaste advertisement or pouts like a child denied his lollypop. The volume of his voice occasionally rises, but instead of the anger or anguish which should pour out at those moments, there comes merely a trickle of peevishness...

Author: By Allan Katz, | Title: Romeo and Juliet | 4/20/1961 | See Source »

...classic twelve-tone row introduced by the late Arnold Sohoenberg. Last night's concert of New Music was the work of five young European composers whose music, not unexpectedly, conforms to neither of the two extremes. The pieces presented were variously scored for voice, piano, flute, harp, stereo tape and a truly staggering assortment of percussion instruments which included both Chinese blocks and Victorian stained glass. The music and the instruments were often difficult to listen to, and just as often intriguingly interesting...

Author: By Anthony Hiss, | Title: New Music | 2/11/1961 | See Source »

...stereo tape. The tape inedium offers the composer a chance to shape his sound as he proceeds, and Mr. Moderna's final decisions are quite obviously the result of considerable experimentation. The program opened with the World Premiere of the Bulgarian composer Andre Boucourechliev's Concertants for piano, harp, flute and every percussion instrument on the stage except the Victorian stained glass...

Author: By Anthony Hiss, | Title: New Music | 2/11/1961 | See Source »

Darius Milhaud's Symphonic No, I pour Petite Orchestre, ("Le Princemps"), the program's second work, hardly deserves to be called a symphony. Its three movements last barely three minutes in all, and the Orchestre is limited to nine players (string quartet, harp, and four winds). But like much early Milhaud, the music, for all its pretensions, is pleasant and quite lyrical. And it received a very lyrical performance. Mr. Lazar conducted with a deft touch, and his small group of players responded with a spirited and humorous reading that pleased the directors as much as it did the audience...

Author: By Anthony Hiss, | Title: The Bach Society | 12/13/1960 | See Source »

...couple drive in an open car through London on their way to embarking, and the banning of any sightseeing craft from the vicinity of the yacht itself. But when the great day finally arrives this week, it could be safely predicted that all Britain will be vibrating like a harp and ready to enjoy the thoroughly loverly fairy tale of the handsome young commoner who marries the beautiful princess...

Author: /time Magazine | Title: GREAT BRITAIN: The Last Weekend | 5/9/1960 | See Source »

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