Word: harping
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Dates: during 1950-1959
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...utterance that ought to give new ideas about this composer to those unfamiliar with his early work. Played with vigor and affecting lyricism, it was the sort of performance Mr. Manusevitch can, and hopefully will give us in the spring concert, which includes a contemporary work and a Handel harp concerto. The Orchestra's shortcomings are primarily technical, and its purely musical potential is substantial indeed...
...drama. In last week's performance (which marked the U.S. debut of opulent-voiced Dutch Soprano Gré Brouwenstijn) Jenufa proved to be as haunting a work as Alban Berg's Wozzek (TIME, March 16). From its ominous opening xylophone solo to the final burst of harp-punctuated melody, the village tragedy unfolded without the benefit of set pieces, ensembles or arias. Heavily percussioned, the orchestra sometimes sank to a rich, nervous whisper flickering through the strings, sometimes burst forth in anguished, brassy cries. Throughout, Janacek's use of exotic folk idiom wrapped the opera...
Farewell, Old Pal. Early last year, Mischker began to harp uneasily on an old German proverb: "The pitcher goes to the well until it breaks." To replace Mischker, the insatiable Roden enlisted his 22-year-old son Jürgen, but on Jürgen's second night out with Father, a motorcycle cop, suspicious at the sight of so young a man driving so expensive a car, came over to investigate and spotted the beef in the back seat. With the pitcher plainly broken at last, Roden confessed all, and last week, as his trial wound...
Salzedo turned to the harp itself, transformed its physical aspect by replacing the fussy gold with businesslike polished maple. Salzedo then experimented with compositions for the harp, made it into a versatile solo instrument. Says Modernist Composer Edgar Varese: "Carlos is an innovator, an adventurer. He has succeeded in changing the sex of the harp -minimizing its golden aura of Victorian femininity; he has discovered and explored its virility...
...Salzedo bought a cottage on the rocky shore of Penobscot Bay in Camden, Me., called it the Summer Harp Colony of America. There every summer he teaches some 30 students who are almost always young women and who worship the brilliant, temperamental master (three marriages, three divorces). The practice is constant (five hours daily), the discipline severe. Salzedo must have it that way. For him. at least, "the harp is to music what music is to life...