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Word: harps (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

Trailers, station wagons and cars with bulging luggage compartments converged on Oberlin, Ohio last week. Most of the vehicles carried a young-looking woman and a large, wedge-shaped case. Each case contained an evening dress, coat, shoes and a makeup case besides its usual contents, a harp. All told, there were 50 girls and women, aged 14-40, and four men, who had come for three days of gossip, shoptalk, practice and, finally, a grand, massed harp concert...

Author: /time Magazine | Title: Music: The Young at Harp | 5/16/1955 | See Source »

...festival, all the harpists who can wangle invitations are eager to come. Explained one: "I always sound better when he's conducting." Looking over his ensemble last week, Salzedo snorted: "Unfortunately, men in this country do not like the refined things of life. So people think the harp effeminate, and not many men play...

Author: /time Magazine | Title: Music: The Young at Harp | 5/16/1955 | See Source »

Some of the women feel the same way. "The harp is a glamorous instrument," said one. "It's so curvy, and you can be so graceful when you play it." Others were more practical: "It's a sound investment -costs as much as a Cadillac but doesn't depreciate as fast. It's an instrument you can get your money back on-very much, in demand for weddings and funerals...

Author: /time Magazine | Title: Music: The Young at Harp | 5/16/1955 | See Source »

...orchestra was better in Mozart's Flute and Harp Concerto. If its performance was a little heavy, this was not entirely the orchestra's fault, for in spite of the intriguing combination of instruments it is not one of Mozart's better concert. Karin Peterson played the flute part well, and Sally Day was wonderful on the harp. They combined impeccable technique with good phrasing and the result was real musicianship...

Author: By Gustav Arcadelt, | Title: The Harvard-Radcliffe Orchestra | 5/9/1955 | See Source »

...Choir was assisted by contralto Claire Smith, baritone Robert Simon, and six instrumentalists playing recorders, viols, lute and harp. The performance of one of Isaak's beautiful settings of the popular Innsbruck, ich muss dich lassen showed three ways in which such pieces were executed in the Renaissance: the first verse by chorus alone, the second by Simon and three instruments, the third by chorus and instruments combined. (The Durer water colors of Inns bruck in the exhibition made clear why so many people hated to leave the little town.) With Simon and a lutanist at hand, I wonder...

Author: By Caldwell Titcomb, | Title: The Renaissance Choir | 5/2/1955 | See Source »

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