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Word: harps (lookup in dictionary) (lookup stats)
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...HARP AND DOUBLE HARP Andrew Lawrence-King Cambridge Early Music Society At Fogg Art Museum November...

Author: By Melissa Gniadek, CONTRIBUTING WRITER | Title: Happiness Is a Warm Harp, In This Case | 12/4/1998 | See Source »

Still, I know there is a point at which reopening sore spots of historical grievance gets futile. Japan has made a gesture towards reconciliation, and China should not continue to harp on language forever. I don't think that the possibility for constructive future relations should be sacrificed over the specific word "apology" when Japan does feel sincerely sorry about its past crimes...

Author: By Jia-rui Chong, | Title: China and Japan: Is Remorse Enough? | 11/30/1998 | See Source »

...could have gone on for three hours, and I would not have missed the opera. Three violins and a phat viola fiddled while Nero was ostensibly still in the dressing room. They made up the feisty, devilish flank of the Early Music Society Orchestra, balanced by a quietly attentive harp and two awfully long lutes (allegedly a "chitarrone" and a "theorbo") on the right, with two harpsichords rammed together in the middle like poorly parked flagships...

Author: By Benjamin E. Lytal, CRIMSON STAFF WRITER | Title: Decadent Opera's Majestic Monteverdi | 11/13/1998 | See Source »

...Esthero's debut with her co-writer and producer, Doc (Martin McKinney), weaves hip-hop, drum and bass, funk and ska into tunes full of emotional intensity. Doc controls this array as a pointillist might, coloring each song with an unusual palette of detail--the strum of a harp here, the sigh of a trumpet there--and arranges it all into a seamless backdrop. In this setting Esthero's sweet, bluesy voice shines like a young Billie Holiday...

Author: /time Magazine | Title: Music: Breath From Another: Esthero | 8/3/1998 | See Source »

...solos came along throughout variations including a morning song by the oboe and bassoon, while the noticeable act of taking off the string mutes presented a disturbing trumpet and trombone variation, and led off to others such as the solo violinist, hornists and the return of the cello and harp. A lively end with a piccolo solo created a warlike effect with the bows of the string players acting as threatening weapons, ending in an aggressive performance of this enjoyable piece...

Author: By Sue Y. Chi, CRIMSON STAFF WRITER | Title: Safety in Numbers? Not for an Adept BSO | 3/20/1998 | See Source »

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