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Bartok: Music for String Instruments, Percussions and Celesta, and Frank Martin: Petite Symphonie Concertante (Albert Fuller, harpsichord; Gloria Agostini. harp; Mitchell Andrews, piano; Leopold Stokowski conducting; Capitol, mono and stereo). Both Composers Bartok and Martin anticipated the dreams of the stereo engineers by calling for strings divided in equal groups on either side of the conductor. The resulting spread of sound is interesting, but less so than Stokowski's fine performance. Even with a pickup orchestra, his Bartok glows with tonal colors as weird and arresting as an electrical storm, and his vigorous reading of Martin has a fine...

Author: /time Magazine | Title: Music: Classical Records | 4/18/1960 | See Source »

...leukemia. Many of her scenes were shot while she had a high fever. Nevertheless, she gives in her last picture what is possibly her funniest film performance. At one point, while Brynner is chasing her around his den, she peers at him through the strings of a harp, and with the merest curl of the upper lip contrives to suggest that she is a caged and ferocious lioness. At another, bedded with a banging hangover, she suddenly gets a mad glint in her eye, yanks the lid off her ice bag, dumps the cubes into a highball, gulps it down...

Author: /time Magazine | Title: Cinema: New Picture, Feb. 22, 1960 | 2/22/1960 | See Source »

...utterance that ought to give new ideas about this composer to those unfamiliar with his early work. Played with vigor and affecting lyricism, it was the sort of performance Mr. Manusevitch can, and hopefully will give us in the spring concert, which includes a contemporary work and a Handel harp concerto. The Orchestra's shortcomings are primarily technical, and its purely musical potential is substantial indeed...

Author: By Edgar Murray, | Title: Cambridge Civic Symphony | 12/15/1959 | See Source »

...drama. In last week's performance (which marked the U.S. debut of opulent-voiced Dutch Soprano Gré Brouwenstijn) Jenufa proved to be as haunting a work as Alban Berg's Wozzek (TIME, March 16). From its ominous opening xylophone solo to the final burst of harp-punctuated melody, the village tragedy unfolded without the benefit of set pieces, ensembles or arias. Heavily percussioned, the orchestra sometimes sank to a rich, nervous whisper flickering through the strings, sometimes burst forth in anguished, brassy cries. Throughout, Janacek's use of exotic folk idiom wrapped the opera...

Author: /time Magazine | Title: Music: Czech in Chicago | 11/16/1959 | See Source »

Farewell, Old Pal. Early last year, Mischker began to harp uneasily on an old German proverb: "The pitcher goes to the well until it breaks." To replace Mischker, the insatiable Roden enlisted his 22-year-old son Jürgen, but on Jürgen's second night out with Father, a motorcycle cop, suspicious at the sight of so young a man driving so expensive a car, came over to investigate and spotted the beef in the back seat. With the pitcher plainly broken at last, Roden confessed all, and last week, as his trial wound...

Author: /time Magazine | Title: WEST GERMANY: Mercedes on the Range | 10/19/1959 | See Source »

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