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...Angeles, Peruvian Songbird Yma Sumac, 35, exercising all the resources of her four-octave voice, starred in a choice bit of opera bouffe in three acts. Featured opposite her: her estranged husband, Moises Vivanco, 38, with a supporting cast of two Inca folk dancers, one confused harp player, three private eyes, one happy collie, a carload of cops. It began in January when Yma's husband lost a paternity suit brought by Yma's former secretary, and was declared the father of the secretary's twin girls. Yma sued for divorce. The action...

Author: /time Magazine | Title: People, may 6, 1957 | 5/6/1957 | See Source »

...charged, more or less, to British Cartoonist Gerard Hoffnung, who for years has been satirizing the music business. In his cartoons, tubby Artist Hoffnung has created a wonderfully zany world-the bass fiddler peers from behind his instrument through a periscope; an old huge-wheeled bicycle becomes a harp; the phrenetic maestro sharpens his baton with a pencil sharpener. Purpose of the Hoffnung concert (recorded at London's Royal Festival Hall with a full symphony orchestra and some of Britain's leading musicians) was to translate the cartoons into sound. The result is spectacular, in a sort...

Author: /time Magazine | Title: Music: Op. I for Vacuum Cleaners | 4/22/1957 | See Source »

...Fotouhi set out to convince the Japanese that he had come not only to teach them about the U.S. but to learn as much as he could about Japan. His daughter went to a Japanese school, learned the language, even became adept at sword fighting and playing the koto (harp). In addition to studying the tea ceremony, her mother also took up the koto, and father Fazl learned the shakuhachi (bamboo flute). Last month little Farida gave a recital over the radio, and a few days later the whole family took part in a concert at Hiroshima Public Hall...

Author: /time Magazine | Title: Education: Assignment: Hiroshima | 4/8/1957 | See Source »

...strings were joined by winds and harp (the latter quite a rarity on a Harvard stage) for Gabriel Faure's suite for Pelleas et Melisande, Opus 80. Faure was unsurpassed in the combination of subtle harmonies and delicate colorings; and the four movements of this suite contain some of his most exquisite writing, such as the shimmering muted violins in "La Fileuse" and the tinges of modal harmony in "Mort de Melisande." Everything here is achieved through understatement, through minute shadings within a restrained gamut. The resulting "parfum imperissable," to borrow the title of one of Faure's songs...

Author: By Caldwell Titcomb, | Title: Bach Society Orchestra | 3/5/1957 | See Source »

...Jazzman Lionel Hampton, 41, entitled King David and premiered under Dimitri Mitropoulos in Manhattan's Town Hall. Inspired and flavored by Hampton's recent tours of Israel ("I visited King David's tomb, and a chant just came to me"), the music tells in a plaintive harp opening of the Old Testament tribulations of the Jews, "blows down the Wailing Wall" in a mighty, jumping blast of brass, moves through a lively vibraphone dance to a deafening, full-orchestra crescendo of triumph...

Author: /time Magazine | Title: Music: Moderns at Work | 2/25/1957 | See Source »

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