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...nautical, meaning "the place for the display of flags") intrigued a 1955 New Yorker writer as well; he noticed that the names of our 62 researchers composed the largest block in the list and surmised that the presence in the TIME offices of all those women - with names like Harriet Ben Ezra, Quinera Sarita King and Yi Ying Sung - must have been "pulse-quickening...

Author: /time Magazine | Title: A Letter From The Publisher, Aug. 20, 1973 | 8/20/1973 | See Source »

Cries and Whispers. Bergman's latest, filmed with a crimson colored Gothic expressionism reminiscent of Edvard Munch. Set in a turn of the century manor house, two sisters (Liv Ullmann and Ingrid Thulin) along with a peasant servant (Kari Sylwun) attend their dying sister (Harriet Andersson). Bergman uses the women schematically--the Woman as Other--to play out his 'nothingness' theme: the ultimate isolation of every human being, the tissue of lies that passes for communication between men, the meaningless of extra-human faith, the nothingness at the heart of it. Harvard Square...

Author: NO WRITER ATTRIBUTED | Title: the screen | 8/14/1973 | See Source »

Cries and Whispers. Bergman's latest, filmed with a crimson colored Gothic expressionism reminiscent of Edvard Munch. Set in a turn of the century manor house, two sisters (Liv Ullmann and Ingrid Thulin) along with a peasant servant (Kari Sylwun) attend their dying sister (Harriet Andersson). Bergman uses the women schematically--the Woman as Other--to play out his 'nothingness' theme: the ultimate isolation of every human being, the tissue of lies that passes for communication between men, the meaningless of extra-human faith, the nothingness at the heart of it. Harvard Square...

Author: NO WRITER ATTRIBUTED | Title: the screen | 8/10/1973 | See Source »

Cries and Whispers. Bergman's latest, filmed with a crimson colored Gothic expressionism reminiscent of Edvard Munch. Set in a turn of the century manor house, two sisters (Liv Ullmann and Ingrid Thulin) along with a peasant servant (Kari Sylwun) attend their dying sister (Harriet Andersson). Bergman uses the women schematically--the Woman as Other--to play out his 'nothingness' theme: the ultimate isolation of every human being, the tissue of lies that passes for communication between men, the meaningless of extra-human faith, the nothingness at the heart of it. Harvard Square...

Author: NO WRITER ATTRIBUTED | Title: the screen | 8/7/1973 | See Source »

...motorcycle accident. There was one advantage to being confined, he says. "The doctors got started very early in the morning, and after they were through there was nothing else to do but sit up and get to work." Ferrer relied heavily on background material supplied by Reporter-Researcher Harriet Heck, and on the files of Correspondent Friedel Ungeheuer from New York, Joseph Boyce from Chicago and David Beckwith - himself a lawyer - from Washington...

Author: /time Magazine | Title: A Letter From The Publisher, Jul. 9, 1973 | 7/9/1973 | See Source »

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