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Dean of the College Harriet Sheridan joined Swearer in his criticism of Roger's evaluation. "I have a different perspective. I think Brown is a first-rate university. It's its own university. And it is getting superb students," she said. CORNELL UNIVERSITY...

Author: NO WRITER ATTRIBUTED | Title: CLASS CUTS | 5/2/1987 | See Source »

...dare consider. It is a vision into the future perfect, of middle-class stability and continuity, of a purloined child growing up to be a college football star and an old couple with funny names surrounded by a loving family they can never have. "It ain't Ozzie and Harriet," Hi had said earlier of his tattered family portrait. But it's a lot funnier, weirder and more exuberantly original. Just like this movie...

Author: /time Magazine | Title: Cinema: Rootless People RAISING ARIZONA | 3/23/1987 | See Source »

...says Bonnie Bruckheimer-Martell, Bette's friend and partner in All Girl Productions, "she's basically shy. She'd never think of wearing anything low cut. She calls herself a librarian." No dust on this star's bookshelves. "She's a cleanliness freak," notes Bruckheimer-Martell. "She calls herself Harriet Craig, after the Joan Crawford character who was constantly cleaning." Manilow recalls Bette's perfectionism, "from neatness at home to the 95th take of a song. Once we were walking on a Chicago beach, deep in conversation. She kept picking up bottles and caps, all this crap in the middle...

Author: /time Magazine | Title: Bette Midler Steals Hollywood | 3/2/1987 | See Source »

...scene and characters, but not the cast, are completely different. A group of people gradually gather in a motel room to await the arrival and performance of the Arno Klein Theatre troupe. Lynette (Harriet Harris) and Gary (Nestor Serrano) have driven for 300 miles just to see them. But this is not your usual motel room. It soon becomes clear that this is the mysterious "Day Room," mentioned in the first act. DeLillo is in hot pursuit of as much theatrical symmetry as he can force down the audience's throat...

Author: By Abigail M. Mcganney, | Title: Curtain Call: | 2/27/1987 | See Source »

...power of gesture to further the dramatic development, and it is done so skillfully that the manner in which a hand is moved across space may strike home profoundly. The new additions to the A.R.T.'s permanent company all appear form this production to augment it, especially Nestor Serrano, Harriet Harris, Sandra Shipley, and even ex-"White Shadow" Ken Howard, who projects a majestic solemnity as Bottivicci, the deformed mindreader...

Author: By Peter D. Sagal, | Title: Curtain Call: | 2/20/1987 | See Source »

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