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...Harvard was 28-of-37 from the stripe versus Maine’s 10-15 performance, a continuation of a trend from last year, when Harvard shot over 150 more free throws than its opponents and capitalized at an Ivy second-best .745 percentage. The combination of Cusworth and Harris??s work down low and the drives of Housman and Goffredo forced Maine’s big men into critical foul trouble. Tchekane-Bofia was an unstoppable force on the glass, collecting seven offensive rebounds and 17 points, nearly all coming on second-chance put-backs...

Author: By Caleb W. Peiffer, CRIMSON STAFF WRITER | Title: Harvard Tops Black Bears | 11/12/2006 | See Source »

...combination of Cusworth and Harris??s work down low and the drives of Housman and Goffredo forced Maine’s big men into critical foul trouble. Tchekane-Bofia was an unstoppable force on the glass, collecting seven offensive rebounds and 17 points, nearly all coming on second-chance put-backs. But the 6’6, 230 lb. forward from Cameroon was limited to just 16 minutes of play, including only six in the second half after picking up his third and fourth foul within the span of one minute early in the period. Additionally, center Olli...

Author: By Caleb W. Peiffer, CRIMSON STAFF WRITER | Title: Harvard Opens Season With Win Over Maine | 11/11/2006 | See Source »

...composer. The vague plot of the movie follows the developing relationship between Anna and Beethoven, based—presumably—on their infatuation with music. If the audience doesn’t benefit from anything else after seeing this movie, hopefully they will appreciate the dedication of Ed Harris??s performance. He thrusts himself through the role with a dedication to character that flexes his underrated chops. The climactic scene in which the symphony makes its debut can’t help but captivate an audience. Shot in a magnificently ornate theater, the scene features Harris ferociously...

Author: By Andrew Nunnelly, CONTRIBUTING WRITER | Title: Movie Review: Copying Beethoven | 11/8/2006 | See Source »

...Single Petal of a Rose.” On this, one of Ellington’s most beautiful compositions, Harris delicately draws out the richness of his instrument above warmly bowed bass and cello. His gentle touch proves beyond any doubt his astounding abilities as an instrumentalist. On Harris??s own “Gardner Meditations” suite, the group attempts a return to their early form, but never quite gets there: a few moments of great ensemble playing do arrive at the last moment to conclude the album on an upswing...

Author: By Tom C. Denison, CRIMSON STAFF WRITER | Title: CD Review: Stefon Harris | 11/2/2006 | See Source »

...Harris?? musical experiments aren’t always unqualified successes, he can be forgiven for his overextension; the pressure to innovate surely weighs heavily on his shoulders. No era of jazz ever includes more than a few great vibraphonists, and now, with musicians like Steve Nelson doing their best playing as sidemen, and with greats like Bobby Hutcherson decades past their most important work, Harris has taken up the mantle of jazz’s highest-profile practitioner of the instrument and all of the expectation that comes with...

Author: By Tom C. Denison, CRIMSON STAFF WRITER | Title: CD Review: Stefon Harris | 11/2/2006 | See Source »

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