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...creative federalism, sounds big in the aggregate: $2.5 billion in the first installment of Government funds recently sent to communities round the country. But what does that mean, town by town, in terms of the bottom line? Not a whale of a lot, if you are Robert W. Harshaw, mayor of McConnells, S.C. (pop. 200). Harshaw, 69, a dairy farmer, does not remember specifically applying for a federal grant. Still, he received a check for $346. Uncertain as to what to do with such dubious largesse, Harshaw consulted Councilman Sam Crawford, who advised: "Just send the darn thing back." Which...

Author: /time Magazine | Title: THE CITIES: Who Needs It? | 1/1/1973 | See Source »

...Harshaw soon received congratulatory letters from small-town mayors in Texas and Tennessee. In the Kansas City, Kans., suburb of Westwood (pop. 2,300), Mayor Joe Dennis bounced back a check for $37,000 Westwood, he said, did not need the money. Then Mayor Jack Cauble of Coahoma, Texas (pop. 1,200) rejected, with city council approval, a check for $1,889. His action was rooted in prairie suspicion. "I would have sent it back even if it were $18,000," he insisted. "When I was a kid my mother used to send me out for a switch and then...

Author: /time Magazine | Title: THE CITIES: Who Needs It? | 1/1/1973 | See Source »

PETER: In which Dad should play Jub Harshaw, Jane should play Jill the nurse, and I should play Valentine Smith. JANE: He read the book, and that's what gave him the whole business of the group family and the incredible orgies and all that kind of thing. PETER: They weren't incredible. COCKS: They were just regular, g old family orgies. JANE: What Peckinpah wanted to do in The Wild Bunch, from what I read, was for once not just to show violence but to show it in such a way that you really felt what...

Author: /time Magazine | Title: Show Business: A Quiet Evening with the Family | 2/16/1970 | See Source »

...Broadway (including, at various times, New Faces of '56 and Do Re Mi) before finally joining the Metropolitan Opera in 1965 as a principal artist. Now 39, he finds his voice deepening and growing bigger. Two years ago he began to work with former Met Soprano Margaret Harshaw, focusing and darkening his voice...

Author: /time Magazine | Title: Opera: The Devils and Reardon | 8/22/1969 | See Source »

...Indiana University Opera Theater's presentation of Parsifal could hardly have been better-even if they did seem a little bit old and fat for college students. There in the role of Parsifal was Charles Kullman, a veteran tenor from the Met; as Kundry, there was Margaret Harshaw, who has been a leading Wagnerian soprano since the '40s. Both are now "artist-performer-teachers" at Indiana, and Indiana is far and away the nation's most ambitious music school...

Author: /time Magazine | Title: Education: Singing at Indiana | 3/27/1964 | See Source »

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