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...barely controlled chaos within his music. He succeeded almost immediately. And to insure that success, he's kept his solo album band intact. The crudeness he achieves on record is as much studied as it is technical. And much of that crudeness stems from Mick Waller's drumming. Harsh and brazen, solid and simple, Waller is the backbone of the sound. To add to its crudity, the drums are mixed very prominently; when you hear a song, the drums while not completely separated on your stereo, are always very loud, and "up front" in the total sound. Stewart adds...

Author: By Frederick Boyd, | Title: Never A Dull Moment | 8/8/1972 | See Source »

...closeness to each of us, but its most striking feature is its very lack of the quaint idealism that pervaded earlier love songs. (Like "Chapel of Love," or "To Know Him Is To Love Him," or anything else that Spector did before the sixties). The closeness to harsh reality, when it isn't frightening in its familiarity, is refreshing...

Author: By Frederick Boyd, | Title: Never A Dull Moment | 8/8/1972 | See Source »

...another, obviously contrived phraseology provides a bit of harsh irony that says everything the FTA people might have wanted to say, but didn't. A few of the performers tour the museum at Hiroshima, looking at the photographs of the devastation to the people and the city as a taped American voice guides them. The voice has a removed, almost boastful tone of facts-and-figures, like the voice that accompanies one in the elevator to the top of the Washington Monument. Director Francine Parker chose to rush through the tour, eager to get back to the stage, but that...

Author: By Barry Levine, | Title: "Fuck the Army" | 8/1/1972 | See Source »

...harsh treatment of Lithuanian dissenters suggests that the Kremlin views the disturbances as a dangerous precedent for other non-Russian peoples under Soviet rule-notably the Latvians, Estonians and Ukrainians-who are also showing signs of unrest...

Author: /time Magazine | Title: LITHUANIA: Ordeal by Fire | 7/31/1972 | See Source »

...problems of the concert on Monday evening can be blamed on the Business School's new auditorium--which is, after all, given the Harvard artistic milieu, a real sign of progress: no sirens, no uncontrollable drafts, moderately comfortable seats. One can readily forgive a great many performers' foibles--harsh sounds resulting from nervousness, an occasionally self-indulgent glissando, embarassing intonations in enharmonic modulations, ostentatious riccochet bowings which don't synchronize--and so on. But when the composer's written indications of expression are disregarded, and extraneous ones interpolated for the 'luscious' effect of the moment; when the long, harmonically-directed...

Author: By Stephen E. Hefling, | Title: Discordant Trios | 7/21/1972 | See Source »

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