Word: hart
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Dates: during 1930-1939
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...history of the English-speaking theatre has one man been a partner in two firms that have both become household names. In the 1920s, the best-known playwrighting partnership in the U. S. was that of Kaufman & Connelly. In the 1930s it has been that of Kaufman & Hart...
This week, while celebrating his 50th birthday, the greatest collaborator of his time can look back on a career in the theatre that would be spectacular in a man of 100. Kaufman's current collaboration with Moss Hart, The Man Who Came to Dinner (TIME, Oct. 30), is one of the biggest smash hits of the last ten years. Kaufman's unequaled record: at least one show on Broadway every year since 1921. Fifteen of those shows Burns Mantle has included in various annual volumes of the Best Plays. One of them (You Can't Take...
...other fellow's personality, rather than Kaufman's, permeate the play. What colors Beggar on Horseback, for example, is the pleasantly housebroken imaginativeness of Marc Connelly; what colors The Royal Family is the romantic bustle of Edna Ferber. The plays Kaufman has written with Moss Hart are better fused because, as comic playwrights, the two men are cut to much the same pattern...
...writing. Every line of dialogue is written together. From start to finish, a play takes anything from five weeks (You Can't Take It With You) to seven months (The Royal Family), depending on the trouble it causes and the make-up of Kaufman's collaborator. Kaufman & Hart usually work much faster than Kaufman & Ferber...
Kaufman & Connelly separated, amicably, long ago. Connelly, Broadway has always intimated, was too "sot" in his ideas to work smoothly in harness. Of Hart, 15 years his junior, Kaufman says: "I have been smart enough as I grew older to attach to myself the most promising lad that came along in the theatre...