Word: hartley
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Dates: during 1990-1999
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...Start with The Book of Life, Hal Hartley's 1998 short starring Martin Donovan as the Son of God, P.J. Harvey as his lovely personal assistant, Mary Magdalene, and Thomas Jay Ryan as Satan. Donovan hits New York City on New Year's Eve 1999 for a meeting with his father's lawyers (the felicitously named Armageddon, Armageddon, Armageddon & Greene) in preparation for the apocalypse. Great fun, with one caution: The whole thing was shot with a very shaky digital video camera - not the sort of thing to view with a hangover...
...well as to the Renaissance, and it wouldn't change until the late '50s, when Abstract Expressionism began to be elevated into the Triumph of American Painting. Earlier 20th century American art took much longer to be appreciated by Americans (or anyone else). Names like John Marin, Marsden Hartley or Charles Demuth still mean nothing in Europe, and until quite recently the proposal that Stuart Davis was as fine a painter as Jackson Pollock would have struck most cognoscenti as barmy, even heretical...
...their field, of great black writers like Langston Hughes. Nor does it indulge in the kind of sentimental feminism that would have you believe that Georgia O'Keeffe, say, was a sacrosanct culture heroine and as good a painter as others in the Stieglitz circle, such as Dove or Hartley...
...cluster of feelings surrounding American landscape had come directly into modern art from 19th century images of sacred wilderness--God's fingerprint, there in the Catskills or the Grand Canyon. This would be faithfully preserved by photographers, like Ansel Adams at Yosemite. But 20th century painters from Dove and Hartley through Pollock conveyed them into more modern idioms, often with great power and poignancy. Landscape, in fact, was the matrix in which most of the impulses of American abstract art, except for its weaker strand of purist geometry, unfolded. In no other country except England and Australia was the relation...
That emotion is familiar to Pamela Hartley. She still is the manager at the Rustica, where she was eating a late dinner that ghastly night when Tom and Ethan burst in. One of them pointed a gun at her and told her to "open the f______ drawer." The experience is with her every night at the restaurant. "You know, people say they were kids, or they weren't really going to shoot, or whatever," Hartley says. "But they were in a very violent state of mind, screaming, just all over the place. They wanted everyone to think they would hurt...