Word: hartley
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...many women of the 1970s, Suzanne Pleshette was more than an actress; she was an icon. As Emily Hartley, the wife of Bob Hartley on The Bob Newhart Show, the throaty Brooklynite upped the ante for sitcom spouses. Though Pleshette never became a blockbuster star, she often outshone weaker material in film (Jerry Lewis' 1958 Geisha Boy) and onstage (she met future husband Tom Poston in 1959's Golden Fleecing). Pleshette gained millions of fans on TV shows ranging from Dr. Kildare in the '60s to the more recent Will & Grace, where she had guest appearances. She said being...
...using them, hurrah hurrah, to produce reviews. He's covered mainstream movies like Shrek the Third and Bug, and artier fare on the order of Guy Maddin's Brand Upon the Brain and Hal Hartley's Fay Grim. Today he has a review of A Mighty Heart. It's a phrase that certainly applies to Roger, and Chaz too, for their year-long battle against his debilitating illness. With open arms ready to embrace a trusted friend - which Roger has been to Mary C. and me for three decades, and is to any reader or viewer of his work...
...Blue Until June” first took the stage, featuring six talented dancers in a stylistic mixture of classical ballet and blues. The dancers embraced the music, capturing jazz-like riffs in the movement of their body. There were three sections to the piece, which was staged by Jason Hartley, and each was uniquely striking: an impressive opening group number, a captivating pas de deux, and a strange—but nevertheless entertaining—final ensemble...
...deal. It could sell Radiator Building, but only to the museum, and for $7 million, a price much below what it would go for in the current art market. If Fisk said yes, the museum promised not to block the sale of another painting from the collection, a Marsden Hartley, on the open market. Fisk said...
...persuaded the photographer Alfred Stieglitz to mount a Picasso show in 1911 at Stieglitz's pioneering 291 Gallery in New York City. That exhibition, Picasso's first in the U.S., included at least some of his newest Cubist images. For budding American modernists like Arthur Dove and Marsden Hartley, it was a first glimpse of work that would transform their own. Later the inexhaustible Stuart Davis came across Picasso's work and likewise reunderstood himself. In the 1920s Davis saw the broad, sharp-edged, irregularly shaped planes of color in some of Picasso's later Cubist work and was inspired...