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...well as to the Renaissance, and it wouldn't change until the late '50s, when Abstract Expressionism began to be elevated into the Triumph of American Painting. Earlier 20th century American art took much longer to be appreciated by Americans (or anyone else). Names like John Marin, Marsden Hartley or Charles Demuth still mean nothing in Europe, and until quite recently the proposal that Stuart Davis was as fine a painter as Jackson Pollock would have struck most cognoscenti as barmy, even heretical...

Author: /time Magazine | Title: Art: A Nation's Self-Image | 5/10/1999 | See Source »

...their field, of great black writers like Langston Hughes. Nor does it indulge in the kind of sentimental feminism that would have you believe that Georgia O'Keeffe, say, was a sacrosanct culture heroine and as good a painter as others in the Stieglitz circle, such as Dove or Hartley...

Author: /time Magazine | Title: Art: A Nation's Self-Image | 5/10/1999 | See Source »

...cluster of feelings surrounding American landscape had come directly into modern art from 19th century images of sacred wilderness--God's fingerprint, there in the Catskills or the Grand Canyon. This would be faithfully preserved by photographers, like Ansel Adams at Yosemite. But 20th century painters from Dove and Hartley through Pollock conveyed them into more modern idioms, often with great power and poignancy. Landscape, in fact, was the matrix in which most of the impulses of American abstract art, except for its weaker strand of purist geometry, unfolded. In no other country except England and Australia was the relation...

Author: /time Magazine | Title: Art: A Nation's Self-Image | 5/10/1999 | See Source »

That emotion is familiar to Pamela Hartley. She still is the manager at the Rustica, where she was eating a late dinner that ghastly night when Tom and Ethan burst in. One of them pointed a gun at her and told her to "open the f______ drawer." The experience is with her every night at the restaurant. "You know, people say they were kids, or they weren't really going to shoot, or whatever," Hartley says. "But they were in a very violent state of mind, screaming, just all over the place. They wanted everyone to think they would hurt...

Author: /time Magazine | Title: Most Likely To Succeed | 4/26/1999 | See Source »

...McVeigh (of Oklahoma City infamy) and Ramzi Yousef (mastermind of the World Trade Center attack) get a break from solitary confinement and a chance to be neighborly at the federal maximum-security prison in Florence, Colo.--a.k.a. Supermax. The repartee isn't exactly Firing Line. "They bulls___," says Dennis Hartley, one of McVeigh's new lawyers. "Nobody's crazy enough to talk about escape...

Author: /time Magazine | Title: The Bomber Next Door | 3/22/1999 | See Source »

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