Word: hartleys
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...newfound geographic passion. "I love New York City," she says. "Sometimes you find a place that just feels like your home, where you feel really alive and you are your own person. I love New York from the bottom of my heart." After working on a Hal Hartley movie in the city in 1998 (average listener, try not to hold his art-film pedigree against her), she spent the majority of 1999 living near Riverside Park in Manhattan and discovering the joys of walking by the water, staring at architecture and "mixing with all those different people." For someone...
...paintings from the years just before Neel died are bold images. In them, Neel arrives at true expression of the individuals she examines, reaching an immediate confrontation with her subjects. One of her last images, "Hartley and Andrew" (1983), depicts her son and grandson. Both father and child are outlined in blue, as was Neel's habit at the time; seated on a stool, they stare not out, but into the viewer. Background is eliminated or, rather, Neel chooses the gessoed canvas for her background, as she does in many of these late works. This is the ultimate demonstration...
...knife (or a gun) before the attack. Michigan has a tough, zero-tolerance law regarding weapons in schools. Our school employees pushed for that law, and they do not hesitate to enforce it. They know that their lives and the lives of their students depend on it. MARGARET TRIMER-HARTLEY Communications Consultant Michigan Education Association Flint, Mich...
...specter of provincialism, would have made. He began with those two heroes of realism, Thomas Eakins and Winslow Homer. But Phillips' taste was more for the visionary, especially for the dark, light-mottled sea pieces of Albert Pinkham Ryder, and for the younger painters they inspired--Arthur Dove, Marsden Hartley, John Marin and others. He was convinced that the defining characteristics of American art were more spiritual than stylistic and that they had been laid down in the 19th century...
...Start with The Book of Life, Hal Hartley's 1998 short starring Martin Donovan as the Son of God, P.J. Harvey as his lovely personal assistant, Mary Magdalene, and Thomas Jay Ryan as Satan. Donovan hits New York City on New Year's Eve 1999 for a meeting with his father's lawyers (the felicitously named Armageddon, Armageddon, Armageddon & Greene) in preparation for the apocalypse. Great fun, with one caution: The whole thing was shot with a very shaky digital video camera - not the sort of thing to view with a hangover...