Word: hartman
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Dates: during 1950-1959
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...Afternoon Concert. Hartman--Symphony #6 (D) DL 9861; Handoshkin--Var. on Theme (Mon) 2019; Benevoli--Hymn to St. Rupert (E) LC 3035; Berkeley--Trio (W) Wn 18515; Weber--Piano Concerto #1 (V) VRY 8150; Ravel--Violin Sonata (M) Mg. 50089; Ditterskorf--Concerto for Violin and Double Bass (HSLP) Hayd. 9052; Dvorak--Quintet in G Major...
Harvard representatives in the study group are Daniel M. Fox '59 and Jan A. S. Hartman '61, co-chairmen, Benjamin R. Nielsen '60, and John L. Washburn...
...Hartman '61, director of Waiting for Godot, which reopens tonight at the Commander Hotel, may restage the show in New York at the invitation of actor and director Wendell Phillips, for the permanent repertory of the Actor's Repertory Theatre. Godot will play in Cambridge tonight through Monday night...
...Hartman's intelligence is manifest in the current production, but his consistency sometimes falters. Each of the several portrayals is excellent in its own right, but they do not always mesh as they might. Becklan Algren plays Gogo more or less naturalistically, with accent and gestures that would be equally appropriate to Waiting for Lefty. A recognizable human characterization lies behind his performance. Tony LoBianco's Vladimir seems, on the other hand, to have an abstraction behind it. The two men are professionals, and pursue their readings with great skill, but they do not always coordinate properly...
...above begs the question every review must answer: is the play worth seeing? The answer, upon reflection, is yes. With its several flaws, Hartman's Godot stands up well when compared to the excellent all-Negro version. Matisoff may be even better than his opposite number was; only Graham falls far short, which merely proves that there are too few Geoffrey Holders in the theatre. And, after all, everyone should see Waiting for Godot at least once...