Word: hartman
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Dates: during 1970-1979
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...Economics Department will have some new faces in key positions next year when Robert L. Moore, the head section leader of Economics 10, "Principles of Economics," and David G. Hartman, head Economics tutor, leave their posts at the end of this year...
...CHARACTERS in Handle With Care are simply cardboard caricatures. What is most surprising about this film is that such a stereotyping detracts little from the comic narrative; Demme provides just enough twists in the plot to sustain suspense despite these superficial characterizations. Like the television show Mary Hartman, Mary Hartman, Demme uses stereotypes self-consciously, parodying them at the same time that he favors them to enact his story. Demme only occasionally falters on the tight-wire between moderation and excess, when he over-ambitiously turns on the small-town ideology of the American Dream. Stereotyping works well...
...never has figured out how to wrap up his movies. Yet along the way his script offers one moment of recognition after another. Some of the funniest occur when Erica and her female friends get together for in formal consciousness-raising sessions that are accurately described as "part Mary Hartman, part Ingmar Bergman." Mazursky has also written some moving scenes for Erica and her 15-year-old daughter (Lisa Lucas); he understands painfully well the bottomless angers and conflicting loyalties that divorce creates among both adults and children...
...pattern that every year saw more Americans watching TV more of the time. Many people, some even in TV, think that that interruption may be about the best news of the year. "I'd like to think society is getting healthier," says Norman Lear, the father of Mary Hartman, Maude and Archie Bunker. "People may be talking to each other again...
...cynicism. Whether this stems from truly eye-opening, hide-hardening experience or whether this is simply an immature attempt to appear worldly and sophisticated is questionable. One suspects it's a little of both. In any case, First Love, directed by Joan Darling--the person who brought us Mary Hartman, Mary Hartman--is probably too maudlin and sentimental to touch the hearts of many Harvard students. Most will guffaw rather than cry. The most blase will leave laughing at the film's triteness and superficiality, confident that they will never fall victim to the treacherous pitfalls of first-time romance...