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Last Wednesday's vote at the Graduate School of Design denying "remedial action" to Chester A. Hartman '57, effectively ends Hartman's seven-year battle for redress of his non-hiring, which he has alleged was based on his leftist political beliefs...

Author: By Richard S. Weisman, | Title: The GSD Soothes A Seven-Year Itch | 10/16/1976 | See Source »

...hardly surprising that Mary Hartman, Mary Hartman, whatever Norman Lear's original intent, didn't end up as pure parody. Soap operas as a genre already verge on self-parody; the swelling music, anguished faces, mystifying plot complications and sexual entanglements all represent exaggerations of the vicissitudes of life on the other side of the screen. Parodying parody is a difficult business at best, and why bother when you can go parody one up and deliver instead what the New York Times Magazine called "the ultimate slice of life...

Author: By Julia M. Klein, | Title: The Wanton Wind | 10/13/1976 | See Source »

Soap, the Proposition's new revue, attempts to pick up where Mary Hartman, Mary Hartman leaves off. Using a play-within-a-play format, it not only burlesques the conventions of daytime drama; it also tries to explore what soap opera as an art form means to both its actors and its audience...

Author: By Julia M. Klein, | Title: The Wanton Wind | 10/13/1976 | See Source »

...process, Soap breaks down the barriers between the two. The patrons of the Proposition Theater temporarily become the viewers of a daytime drama called The Wanton Wind, whose renewal or cancellation depends on their whim. The Wanton Wind has obvious parallels with Mary Hartman, Mary Hartman; it is set, for example, in Breezewood (instead of Fernwood), and its young Don Juan, Brent Owen, resembles Sgt. Dennis Foley. But The Wanton Wind is pure parody in a way Mary Hartman, Mary Hartman is not--highly stylized, it comes complete with musical flourishes, tensely meaningful looks and lines like "Don't fight...

Author: By Julia M. Klein, | Title: The Wanton Wind | 10/13/1976 | See Source »

...edge of some rather vexing philosophical questions; the only definite answers it gives--that soap opera is a fix, and that we all need it, the audience as well as the people who act in it--aren't particularly original or hard to come by. After watching Mary Hartman, Mary Hartman for three months, I could have told you as much myself...

Author: By Julia M. Klein, | Title: The Wanton Wind | 10/13/1976 | See Source »

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