Word: hartness
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...Bruce Babbitt. An hour of political dialogue about important public policy issues such as the merits of a progressive national consumption tax, universal needs testing, and a more democratic workplace was completely ignored. What was the centerpiece of the Crimson story? All but the last three paragraphs talked about Hart's re-entry into the race and what Babbitt had to say about it. The topic of Gary Hart was discussed for all of about two minutes of the hour-long interview...
...dark pinstripes and tasseled shoes, determined to make the caucuses a stage that their men can exploit. Events propel them so rapidly that even if they wanted to understand Iowa, they would not have time. Hence George Bush talks about debutante parties as if Dubuque were Greenwich, and Gary Hart thinks he can somehow walk away from an indulgent weekend. Pete du Pont promotes school vouchers that just might sink a lot of Iowa community schools already pressed to keep up the high quality established when corn sold high. Though Paul Simon, Richard Gephardt and Bob Dole come from neighboring...
...Iowa, organization is a fancy name for having the right lists and enough people to call them. Aside from Gore and Alexander Haig, who have hoisted the white flag, and Hart and Jackson, who are depending on name recognition and serendipity, the other nine campaigns are following roughly the same strategy: identify your supporters, woo the uncommitted, and make certain to get out your hard-core vote on Feb. 8. Caucus night for the Republicans is generally a well-ordered affair. But Democrats, characteristically, must labor under the heavy burdens of participatory democracy run amok. Caucuses frequently last beyond midnight...
...principal lyricist, Lloyd Webber chose Charles Hart, 26, a novice who had only one previous, unperformed musical to his credit; in counterbalance, the composer tapped the veteran director Hal Prince, 59, who * had contributed so much to the success of Evita. Lloyd Webber composed the role of Christine with his wife Sarah Brightman's crystalline voice and fragile Pre-Raphaelite looks in mind. The trick was casting the Opera Ghost. His choice was British Actor Michael Crawford, 45, whom he had heard sing in the 1979 London show Flowers for Algernon and who had appeared in such films...
...Manhattan aerie last week, Lloyd Webber worked with Lyricists Don Black and Charles Hart on his next musical, Aspects of Love, studied portfolios of photos in search of a female lead for Phantom's April production in Japan, and kept a watchful eye on the Broadway incarnation, which started previews on Saturday. "He monitors every word and orchestrates every aspect of the production," says Black. "He is good at casting, costumes, orchestration, design, marketing. Nothing slips through the net." When he does unwind, it is generally at his Steinway grand piano. "Want to hear some tunes?" he will...