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Word: harvest (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...Great Wine. Thousands of winemakers have already pronounced this year's vintage "transcendent, magnificent." Mile. Genevieve Clin, manager of the famed Romanée-Conti vineyards, her vines laden with small, almost black bunches of grapes dimpled by the sun and heavy with sugar, said as the harvest began: ''When you look at the bunches, you only see the fruit. You don't see the wood any more...

Author: /time Magazine | Title: Business: A Votre Sant | 10/19/1959 | See Source »

...grapes. At the same time there has been enough moisture in the ground to keep the vines fresh. "The leaves are still green as we pick," says one grower. "This means a glycerine content that will give the vintage an exceptional body." Another factor is that the four substandard harvests before this year's harvest had the effect of resting the vines. This summer they surged forward "to make up for lost time...

Author: /time Magazine | Title: Business: A Votre Sant | 10/19/1959 | See Source »

...closely planted that it toppled over or died of contagious rust. Newly dug potatoes rotted in the fields while peasants were rushed off to erect dams. Jerry-built mines collapsed, and backyard iron proved worthless for industrial use. In the cities there was noisy talk of a bumper harvest, but long queues of housewives found the stores empty...

Author: /time Magazine | Title: RED CHINA: The Mechanical Man | 10/12/1959 | See Source »

...Sheol. Jesus, says Life and Death, used this as a figure of speech in the parable of Dives and Lazarus, and he was not threatening his hearers with fearful torment so much as reminding them that life is set within a divine order in which man reaps the harvest of his deeds. "We have no right," says the committee, "on the basis of this parable, to go further than this and interpret Hell as the place of everlasting fiery torment...

Author: /time Magazine | Title: Religion: Hell of Loneliness | 9/28/1959 | See Source »

They started to cut Gainsborough's The Harvest Waggon (valued at $450,000) and Van Dyck's Daedalus and Icarus from their frames and then abandoned them. Though both are relatively low-rated by today's art buyers, the thieves probably were not exercising esthetic discrimination. For one thing, they had time to pilfer $40 from a cashbox, proving their main interest to be monetary. For another, they left a Tintoretto, another Renoir and a Degas untouched...

Author: /time Magazine | Title: Art: Thieves in the Night | 9/28/1959 | See Source »

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