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Word: harvester (lookup in dictionary) (lookup stats)
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...bountiful crop" did not come up to last year's-the potato harvest was down by 10%, sugar beets were down 14%, and wheat, most important of all, was off 16%. Yet the Winnipeg Tribune could say: "Even momentary comparison of our lot [with Europe's] makes us seem as rich as Croesus: it is a time both to give thanks and to share...

Author: /time Magazine | Title: Canada: THE DOMINION: Thanksgiving Day, 1947 | 10/20/1947 | See Source »

...glimpse at license plates told Kansans where most of the shiny cars came from-the rich western wheat counties. Kenneth Richardson, a 24-year-old student, told how he got his green 1947 Buick convertible: "During the summer I hired a crew for two combines and folowed the wheat harvest from Oklahoma to Canada. We made plenty...

Author: /time Magazine | Title: KANSAS: Golden Sky | 10/13/1947 | See Source »

...opened, Modernist Painter Man Ray's Le Beau Temps (Fair Weather) caused a mild buzz. A world congress of magicians bemused the Paris public in acts-one of which, said a wag, should be called the comrade and the fellow traveler. On Montmartre the celebration of the grape harvest turned into a fancy dress carnival...

Author: /time Magazine | Title: FRANCE: Tremors | 10/13/1947 | See Source »

...Wild Harvest (Paramount) revives the once profitable Quirt-Flagg* formula: two high-skilled bums carom around odd corners of the world, working at the same jobs, tomcatting after the same girls, fighting each other, and unable to do without each other. Wild Harvest adds something new to the formula: this time the heroes are migratory workers, involved in the robust job of wheat harvesting with combines. The harvesting job gives the audience something novel and vigorous to look at, and it also gives the players something better to do than talk and make faces at each other. But there...

Author: /time Magazine | Title: The New Pictures, Oct. 6, 1947 | 10/6/1947 | See Source »

...Wild Harvest was directed by Tay Garnett, who has a flair for directing men and melodramas (Bataan, Cross of Lorraine). Whenever his men are hard at work or at their more believable kinds of play, Director Garnett shows what a good movie this might have been. His harvesters' dance is a fine, forlorn scene, and he stages quite a hair-raising wheat fire and a particularly violent chase. But he seems to have realized that nothing could be done with the tense Lamour-Ladd relationship except to treat it as slightly ridiculous...

Author: /time Magazine | Title: The New Pictures, Oct. 6, 1947 | 10/6/1947 | See Source »

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